New Hong Kong Cinema - Cheung, Ruby
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Advocates the model of ‘Cinema of Transitions’ to study Hong Kong-related, Chinese-language films that are concerned with Hong Kong’s sovereignty transfer. Intervenes in the studies of Hong Kong cinema from a combined perspective of Diaspora and East Asian Studies, rather than situating the debates among the usual theoretical frameworks of localism or globalisation. Brings discussions of Hong Kong-related Chinese-language films up to date (e.g., inclusive of discussions of several films made in 2013 and 2014). Explores understudied areas of contemporary Hong Kong cinema, including animations and empirical audience studies.…mehr

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Produktbeschreibung
Advocates the model of ‘Cinema of Transitions’ to study Hong Kong-related, Chinese-language films that are concerned with Hong Kong’s sovereignty transfer. Intervenes in the studies of Hong Kong cinema from a combined perspective of Diaspora and East Asian Studies, rather than situating the debates among the usual theoretical frameworks of localism or globalisation. Brings discussions of Hong Kong-related Chinese-language films up to date (e.g., inclusive of discussions of several films made in 2013 and 2014). Explores understudied areas of contemporary Hong Kong cinema, including animations and empirical audience studies.
Autorenporträt
Ruby Cheung is Lecturer in Film Studies at the University of Southampton, UK. Her research and publications focus primarily on East Asian cinemas, in particular Hong Kong cinema and the mainstream film industries in the three major Chinese-speaking communities in Hong Kong, mainland China and Taiwan. She is the main editor of Cinemas, Identities and Beyond (2009), and co-editor of Film Festival Yearbook 2: Film Festivals and Imagined Communities (2010) and Film Festival Yearbook 3: Film Festivals and East Asia (2011).