Clive Barker / Simon Trussler (eds.)

New Theatre Quarterly 49

Herausgeber: Barker, Clive; Trussler, Simon

• Broschiertes Buch

Produktbeschreibung

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Topics covered in NTQ 49 include: Lmma Lyon, the 'Attitude', and Goethean Performance Theory; Good Nights Out: Finding and Activating the Audience with 7:84 (England); Behind the Arras, through the Wall: Hamlet in Krakow, 1989; Harrison, Herakles, and Wailing Women; Myths and Enabling Fictions of Origin in the Editing of Shakespeare.

Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 100
• Erscheinungstermin: 21. August 1997
• Englisch
• Abmessung: 244mm x 170mm x 6mm
• Gewicht: 189g
• ISBN-13: 9780521589024
• ISBN-10: 0521589029
• Artikelnr.: 29425862

Inhaltsangabe

1. Emma Lyon, the 'attitude', and Goethean performance theory Volker
Schachenmayr; 2. Disputing the canon of American dramatic 'literature'
Ronald Tavel; 3. Good nights out: activating the audience with 7.84
(England) Nadine Holdsworth; 4. Myths and enabling fictions of 'origin' in
the editing of Shakespeare Gabriel Egan; 5. Shakespeare, feminism, and
voice: responses to Sarah Werner Cicely Berry, Patsy Rodenberg and Kristin
Linklater; 6. Behind the arras, through the wall: Wadja's Hamlet in Krakow,
1989 Tony Howard; 7. Bernard-Marie Koltès: chronology, contexts,
connections David Bradby; NTQ book reviews.