Ninagawa Mika, Miyake Kyoko and Ando Momoko - Taylor-Jones, Kate
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This book explores and theorises female visions of Japanese girlhood in the work of three women directors: Ninagawa Mika, Miyake Kyoko and Ando Momoko. These directors are all highly diverse in their production background, outputs and style, and yet all three share a common preoccupation with visualizing moments of both girlhood and female ageing. The book takes at its core the debate on the aesthetics of gender - something all three women have engaged in - and explores the idea of feminist film historiography.

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Produktbeschreibung
This book explores and theorises female visions of Japanese girlhood in the work of three women directors: Ninagawa Mika, Miyake Kyoko and Ando Momoko. These directors are all highly diverse in their production background, outputs and style, and yet all three share a common preoccupation with visualizing moments of both girlhood and female ageing. The book takes at its core the debate on the aesthetics of gender - something all three women have engaged in - and explores the idea of feminist film historiography.
Autorenporträt
Professor Kate Taylor-Jones is Professor of East Asian Studies at the University of Sheffield. She is the author of Divine Work: The Greater East Asian Film Sphere and the Legacy of pan-Asian Visual Culture (2017, Bloomsbury) and Rising Sun and Divided Land: Contemporary Japanese and Korean Film Directors (2013, Wallflower/Columbia University Press). She is co-editor of Prostitution and Sex Work in Global Cinema (2017, Palgrave MacMillan) and International Cinema and the Girl (2016, Palgrave MacMillan).