Media studies in India is a young and emergent field. Through interdisciplinary studies in the fields of film, television, music, print, and radio, No Limits addresses the issue of the contemporary in Indian media environment since its globalization in the 1980s.
Media studies in India is a young and emergent field. Through interdisciplinary studies in the fields of film, television, music, print, and radio, No Limits addresses the issue of the contemporary in Indian media environment since its globalization in the 1980s.
Ravi Sundaram is Senior Fellow, Centre for the Study of Developing Societies, Delhi.
Inhaltsangabe
* List of Tables and Figures * Preface * List of Abbreviations * Introduction: The Horizon of Media Studies, Ravi Sundaram * PART ONE: MAPPING THE TERRAIN * 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena * Afterword: The Bollywoodization Argument-Ten Years On, Ashish Rajadhyaksha * 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence Liang * 3. The Inner and Outer Worlds of Emergent Television Cultures, Shohini Ghosh * PART TWO: CIRCULATION * 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth Century, Robin Jeffrey * 5. Revisiting the Pirate Kingdom, Ravi Sundaram * 6. Figures of Transit: Tracing a Century of Hollywood in India, Nitin Govil * PART THREE: PUBLICS * 7. Creating Cinema's Reading Publics: The Emergence of Film Journalism in Bombay, Debashree Mukherjee * 8. Notes on Contemporary Film Experience: 'Bollywood', Genre Diversity, and Video Circuits, Ravi S. Vasudevan * 9. Whistling Fans: Reflections on the Sociology, Politics, and Performativity of an Excessively Active Audience, S.V. Srinivas * 10. Unimaginable Communities: Television, Globalization, and National Identities in Postcolonial India, Shanti Kumar * 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in Colonial India, Joselyn Zivin * 12. The 'Terrorist' and the Screen: Afterimages of the Batla House 'Encounter', Shuddhabrata Sengupta * PART FOUR: PRODUCTION * 13. The Gramophone Company in India, 1898-1912: The Evolution of an Early Media Enterprise, Vibodh Parthasarthy * 14. Democratizing Indian Popular Music: From Cassette Culture to the Digital Era, Peter Manuel * 15. Film Stardom after Liveness, Ranjani Mazumdar * Notes on Contributors * Index
* List of Tables and Figures * Preface * List of Abbreviations * Introduction: The Horizon of Media Studies, Ravi Sundaram * PART ONE: MAPPING THE TERRAIN * 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena * Afterword: The Bollywoodization Argument-Ten Years On, Ashish Rajadhyaksha * 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence Liang * 3. The Inner and Outer Worlds of Emergent Television Cultures, Shohini Ghosh * PART TWO: CIRCULATION * 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth Century, Robin Jeffrey * 5. Revisiting the Pirate Kingdom, Ravi Sundaram * 6. Figures of Transit: Tracing a Century of Hollywood in India, Nitin Govil * PART THREE: PUBLICS * 7. Creating Cinema's Reading Publics: The Emergence of Film Journalism in Bombay, Debashree Mukherjee * 8. Notes on Contemporary Film Experience: 'Bollywood', Genre Diversity, and Video Circuits, Ravi S. Vasudevan * 9. Whistling Fans: Reflections on the Sociology, Politics, and Performativity of an Excessively Active Audience, S.V. Srinivas * 10. Unimaginable Communities: Television, Globalization, and National Identities in Postcolonial India, Shanti Kumar * 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in Colonial India, Joselyn Zivin * 12. The 'Terrorist' and the Screen: Afterimages of the Batla House 'Encounter', Shuddhabrata Sengupta * PART FOUR: PRODUCTION * 13. The Gramophone Company in India, 1898-1912: The Evolution of an Early Media Enterprise, Vibodh Parthasarthy * 14. Democratizing Indian Popular Music: From Cassette Culture to the Digital Era, Peter Manuel * 15. Film Stardom after Liveness, Ranjani Mazumdar * Notes on Contributors * Index
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