No Limits
Media Studies from India
Herausgeber: Sundaram, Ravi
No Limits
Media Studies from India
Herausgeber: Sundaram, Ravi
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Media studies in India is a young and emergent field. Through interdisciplinary studies in the fields of film, television, music, print, and radio, No Limits addresses the issue of the contemporary in Indian media environment since its globalization in the 1980s.
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Media studies in India is a young and emergent field. Through interdisciplinary studies in the fields of film, television, music, print, and radio, No Limits addresses the issue of the contemporary in Indian media environment since its globalization in the 1980s.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 448
- Erscheinungstermin: 1. September 2013
- Englisch
- Abmessung: 208mm x 145mm x 36mm
- Gewicht: 612g
- ISBN-13: 9780198083986
- ISBN-10: 019808398X
- Artikelnr.: 45157241
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Hurst & Co.
- Seitenzahl: 448
- Erscheinungstermin: 1. September 2013
- Englisch
- Abmessung: 208mm x 145mm x 36mm
- Gewicht: 612g
- ISBN-13: 9780198083986
- ISBN-10: 019808398X
- Artikelnr.: 45157241
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ravi Sundaram is Senior Fellow, Centre for the Study of Developing Societies, Delhi.
* List of Tables and Figures
* Preface
* List of Abbreviations
* Introduction: The Horizon of Media Studies, Ravi Sundaram
* PART ONE: MAPPING THE TERRAIN
* 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism
in a Global Arena The 'Bollywoodization' of the Indian Cinema:
Cultural Nationalism in a Global Arena
* Afterword: The Bollywoodization Argument-Ten Years On, Ashish
Rajadhyaksha
* 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence
Liang
* 3. The Inner and Outer Worlds of Emergent Television Cultures,
Shohini Ghosh
* PART TWO: CIRCULATION
* 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth
Century, Robin Jeffrey
* 5. Revisiting the Pirate Kingdom, Ravi Sundaram
* 6. Figures of Transit: Tracing a Century of Hollywood in India,
Nitin Govil
* PART THREE: PUBLICS
* 7. Creating Cinema's Reading Publics: The Emergence of Film
Journalism in Bombay, Debashree Mukherjee
* 8. Notes on Contemporary Film Experience: 'Bollywood', Genre
Diversity, and Video Circuits, Ravi S. Vasudevan
* 9. Whistling Fans: Reflections on the Sociology, Politics, and
Performativity of an Excessively Active Audience, S.V. Srinivas
* 10. Unimaginable Communities: Television, Globalization, and National
Identities in Postcolonial India, Shanti Kumar
* 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in
Colonial India, Joselyn Zivin
* 12. The 'Terrorist' and the Screen: Afterimages of the Batla House
'Encounter', Shuddhabrata Sengupta
* PART FOUR: PRODUCTION
* 13. The Gramophone Company in India, 1898-1912: The Evolution of an
Early Media Enterprise, Vibodh Parthasarthy
* 14. Democratizing Indian Popular Music: From Cassette Culture to the
Digital Era, Peter Manuel
* 15. Film Stardom after Liveness, Ranjani Mazumdar
* Notes on Contributors
* Index
* Preface
* List of Abbreviations
* Introduction: The Horizon of Media Studies, Ravi Sundaram
* PART ONE: MAPPING THE TERRAIN
* 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism
in a Global Arena The 'Bollywoodization' of the Indian Cinema:
Cultural Nationalism in a Global Arena
* Afterword: The Bollywoodization Argument-Ten Years On, Ashish
Rajadhyaksha
* 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence
Liang
* 3. The Inner and Outer Worlds of Emergent Television Cultures,
Shohini Ghosh
* PART TWO: CIRCULATION
* 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth
Century, Robin Jeffrey
* 5. Revisiting the Pirate Kingdom, Ravi Sundaram
* 6. Figures of Transit: Tracing a Century of Hollywood in India,
Nitin Govil
* PART THREE: PUBLICS
* 7. Creating Cinema's Reading Publics: The Emergence of Film
Journalism in Bombay, Debashree Mukherjee
* 8. Notes on Contemporary Film Experience: 'Bollywood', Genre
Diversity, and Video Circuits, Ravi S. Vasudevan
* 9. Whistling Fans: Reflections on the Sociology, Politics, and
Performativity of an Excessively Active Audience, S.V. Srinivas
* 10. Unimaginable Communities: Television, Globalization, and National
Identities in Postcolonial India, Shanti Kumar
* 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in
Colonial India, Joselyn Zivin
* 12. The 'Terrorist' and the Screen: Afterimages of the Batla House
'Encounter', Shuddhabrata Sengupta
* PART FOUR: PRODUCTION
* 13. The Gramophone Company in India, 1898-1912: The Evolution of an
Early Media Enterprise, Vibodh Parthasarthy
* 14. Democratizing Indian Popular Music: From Cassette Culture to the
Digital Era, Peter Manuel
* 15. Film Stardom after Liveness, Ranjani Mazumdar
* Notes on Contributors
* Index
* List of Tables and Figures
* Preface
* List of Abbreviations
* Introduction: The Horizon of Media Studies, Ravi Sundaram
* PART ONE: MAPPING THE TERRAIN
* 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism
in a Global Arena The 'Bollywoodization' of the Indian Cinema:
Cultural Nationalism in a Global Arena
* Afterword: The Bollywoodization Argument-Ten Years On, Ashish
Rajadhyaksha
* 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence
Liang
* 3. The Inner and Outer Worlds of Emergent Television Cultures,
Shohini Ghosh
* PART TWO: CIRCULATION
* 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth
Century, Robin Jeffrey
* 5. Revisiting the Pirate Kingdom, Ravi Sundaram
* 6. Figures of Transit: Tracing a Century of Hollywood in India,
Nitin Govil
* PART THREE: PUBLICS
* 7. Creating Cinema's Reading Publics: The Emergence of Film
Journalism in Bombay, Debashree Mukherjee
* 8. Notes on Contemporary Film Experience: 'Bollywood', Genre
Diversity, and Video Circuits, Ravi S. Vasudevan
* 9. Whistling Fans: Reflections on the Sociology, Politics, and
Performativity of an Excessively Active Audience, S.V. Srinivas
* 10. Unimaginable Communities: Television, Globalization, and National
Identities in Postcolonial India, Shanti Kumar
* 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in
Colonial India, Joselyn Zivin
* 12. The 'Terrorist' and the Screen: Afterimages of the Batla House
'Encounter', Shuddhabrata Sengupta
* PART FOUR: PRODUCTION
* 13. The Gramophone Company in India, 1898-1912: The Evolution of an
Early Media Enterprise, Vibodh Parthasarthy
* 14. Democratizing Indian Popular Music: From Cassette Culture to the
Digital Era, Peter Manuel
* 15. Film Stardom after Liveness, Ranjani Mazumdar
* Notes on Contributors
* Index
* Preface
* List of Abbreviations
* Introduction: The Horizon of Media Studies, Ravi Sundaram
* PART ONE: MAPPING THE TERRAIN
* 1. The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism
in a Global Arena The 'Bollywoodization' of the Indian Cinema:
Cultural Nationalism in a Global Arena
* Afterword: The Bollywoodization Argument-Ten Years On, Ashish
Rajadhyaksha
* 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence
Liang
* 3. The Inner and Outer Worlds of Emergent Television Cultures,
Shohini Ghosh
* PART TWO: CIRCULATION
* 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth
Century, Robin Jeffrey
* 5. Revisiting the Pirate Kingdom, Ravi Sundaram
* 6. Figures of Transit: Tracing a Century of Hollywood in India,
Nitin Govil
* PART THREE: PUBLICS
* 7. Creating Cinema's Reading Publics: The Emergence of Film
Journalism in Bombay, Debashree Mukherjee
* 8. Notes on Contemporary Film Experience: 'Bollywood', Genre
Diversity, and Video Circuits, Ravi S. Vasudevan
* 9. Whistling Fans: Reflections on the Sociology, Politics, and
Performativity of an Excessively Active Audience, S.V. Srinivas
* 10. Unimaginable Communities: Television, Globalization, and National
Identities in Postcolonial India, Shanti Kumar
* 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in
Colonial India, Joselyn Zivin
* 12. The 'Terrorist' and the Screen: Afterimages of the Batla House
'Encounter', Shuddhabrata Sengupta
* PART FOUR: PRODUCTION
* 13. The Gramophone Company in India, 1898-1912: The Evolution of an
Early Media Enterprise, Vibodh Parthasarthy
* 14. Democratizing Indian Popular Music: From Cassette Culture to the
Digital Era, Peter Manuel
* 15. Film Stardom after Liveness, Ranjani Mazumdar
* Notes on Contributors
* Index