ndia after globalization is an increasingly mediatized society. Today, media experiences, desires, dream worlds, and fears have enveloped our time with force that was unimagined before. The blurring of the private and the public is now dramatically visible. The 'power of media' is a core explanatory category in public and academic common sense. No Limits maps the emergence of this mediatized world, and reflects on its wideranging consequences.
ndia after globalization is an increasingly mediatized society. Today, media experiences, desires, dream worlds, and fears have enveloped our time with force that was unimagined before. The blurring of the private and the public is now dramatically visible. The 'power of media' is a core explanatory category in public and academic common sense. No Limits maps the emergence of this mediatized world, and reflects on its wideranging consequences.
Ravi Sundaram (ed.) is Senior Fellow, Centre for the Study of Developing Societies, new Delhi and co-initiator of the Sarai programme.
Inhaltsangabe
* The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena 21 * Afterword: The Bollywoodization Argument- Ten Years On 43Ashish Rajadhyaksha * 2. Sensuous Encounters: Law, Affect, and the Media Event 47 * Lawrence Liang * 3. The Inner and Outer Worlds of Emergent Television Cultures 70 * Shohini Ghosh * II CIRCULATION * 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth Century 95 Robin Jeffrey * 5. Revisiting the Pirate Kingdom 121 * Ravi Sundaram * 6. Figures of Transit: Tracing a Century of Hollywood in India 141 * Nitin Govil * III PUBLICS * 7. Creating Cinema's Reading Publics: The Emergence of Film Journalism in Bombay 165 * Debashree Mukherjee * 8. Notes on Contemporary Film Experience: 'Bollywood', Genre Diversity, and Video Circuits 199 * Ravi S. Vasudevan * 9. Whistling Fans: Reflections on the Sociology, Politics, and Performativity of an Excessively Active Audience 224 * S.V. Srinivas * 10. Unimaginable Communities: Television, Globalization, and National Identities in Postcolonial India 256 * Shanti Kumar * 11. The Imagined Reign of the Iron Lecturer: Village Broadcasting in Colonial India 277 * Joselyn Zivin * 12. The 'Terrorist' and the Screen: Afterimages of the Batla House 'Encounter' 300 * Shuddhabrata Sengupta * IV PRODUCTION * 13. Evolution of an Early Media Enterprise: The Gramophone Company in India, 1898-1912 327 * Vibodh Parthasarathi * 14. Democratizing Indian Popular Music: From Cassette Culture to the Digital Era 356 * Peter Manuel * 15. Film Stardom after Liveness 381
* The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena 21 * Afterword: The Bollywoodization Argument- Ten Years On 43Ashish Rajadhyaksha * 2. Sensuous Encounters: Law, Affect, and the Media Event 47 * Lawrence Liang * 3. The Inner and Outer Worlds of Emergent Television Cultures 70 * Shohini Ghosh * II CIRCULATION * 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth Century 95 Robin Jeffrey * 5. Revisiting the Pirate Kingdom 121 * Ravi Sundaram * 6. Figures of Transit: Tracing a Century of Hollywood in India 141 * Nitin Govil * III PUBLICS * 7. Creating Cinema's Reading Publics: The Emergence of Film Journalism in Bombay 165 * Debashree Mukherjee * 8. Notes on Contemporary Film Experience: 'Bollywood', Genre Diversity, and Video Circuits 199 * Ravi S. Vasudevan * 9. Whistling Fans: Reflections on the Sociology, Politics, and Performativity of an Excessively Active Audience 224 * S.V. Srinivas * 10. Unimaginable Communities: Television, Globalization, and National Identities in Postcolonial India 256 * Shanti Kumar * 11. The Imagined Reign of the Iron Lecturer: Village Broadcasting in Colonial India 277 * Joselyn Zivin * 12. The 'Terrorist' and the Screen: Afterimages of the Batla House 'Encounter' 300 * Shuddhabrata Sengupta * IV PRODUCTION * 13. Evolution of an Early Media Enterprise: The Gramophone Company in India, 1898-1912 327 * Vibodh Parthasarathi * 14. Democratizing Indian Popular Music: From Cassette Culture to the Digital Era 356 * Peter Manuel * 15. Film Stardom after Liveness 381
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