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In Northangerland Andrew Taylor has taken the black sheep of the Brontë family and pushed him centre-stage, repurposing Bronwyn's pseudonym as a title. 'Re-versioning', as Taylor dubs his process, is not so much offering a parallel text or a commentary on the original, but effects a distillation of it, isolating its essence, updating. He resembles Basil Bunting deleting and scribbling his way through Shakespeare's sonnets, as he exchanges Brontë's rhetoric for sculpted lines and deft sound-shapes (the rhymes chiming internally across their precise new line-breaks). Taylor is like an architect…mehr

Produktbeschreibung
In Northangerland Andrew Taylor has taken the black sheep of the Brontë family and pushed him centre-stage, repurposing Bronwyn's pseudonym as a title. 'Re-versioning', as Taylor dubs his process, is not so much offering a parallel text or a commentary on the original, but effects a distillation of it, isolating its essence, updating. He resembles Basil Bunting deleting and scribbling his way through Shakespeare's sonnets, as he exchanges Brontë's rhetoric for sculpted lines and deft sound-shapes (the rhymes chiming internally across their precise new line-breaks). Taylor is like an architect decluttering the Brontë Parsonage into a modern minimalist and open plan living space: 'forms refuse the real/ & unreal to confuse phantom/ paths of joy'. For all its careful acknowledgement of sources, this is an assured work for our times. Robert Sheppard
Autorenporträt
Andrew Taylor MPA is a quantitative research manager at the data collaborative for justice, John Jay College of Criminal Justice, City University of New York. Andrew's research focuses on using data science methods to leverage administrative and alternative data for applied research that is seeking to reduce racial disparities and the overall footprint of the criminal legal system.