Notes from Underground - Dostoyevsky, Fyodor
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Generally referred to by reviewers as the Underground Man, the novella offers itself as a passage from the memoirs of a retired government worker residing in St. Petersburg, a bitter, solitary, anonymous narrator. Though the initial section of the novella has the shape of a monologue, the narrator's approach to addressing his reader is somewhat dialogized. Mikhail Bakhtin said in the Underground Man's confession, "There is not a single monologically strong, undissociated word." Every word the Underground Man speaks reflects the words of someone with whom he is in an intense mental quarrel. The…mehr

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Produktbeschreibung
Generally referred to by reviewers as the Underground Man, the novella offers itself as a passage from the memoirs of a retired government worker residing in St. Petersburg, a bitter, solitary, anonymous narrator. Though the initial section of the novella has the shape of a monologue, the narrator's approach to addressing his reader is somewhat dialogized. Mikhail Bakhtin said in the Underground Man's confession, "There is not a single monologically strong, undissociated word." Every word the Underground Man speaks reflects the words of someone with whom he is in an intense mental quarrel. The Underground Man attacks modern Russian philosophy, specifically Nikolay Chernyshevsky's What Is to Be Done? In a broader sense, the book challenges and rebels against determinism, a theory that reduces everything, including human personality and will, to the laws of nature, science, and mathematics. The Underground Man's narration is rife with ideological allusions and complex conversations about the political climate of the time. Using his fiction as a weapon of ideological discourse, Dostoevsky challenges the ideologies of his time, mainly nihilism and rational egoism. The novel rejects the rationalist assumptions that underlie Jeremy Bentham's utilitarian social philosophy.
Autorenporträt
Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk (1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.