Taking its title from Shakespeare¿s Othello, a play that questions the veracity of what eyes actually see, Ocular Proof explores not only what each of us sees, but also how photographs modify sight as they capture, distort, frame, and simultaneously encourage discovery. These poems play off critical insights about the function of photographs and the power of visual imagery in the modern world and yet are decidedly personal. They address the unreality of one¿s own life, the illegibility of the past and future, and our strong attraction to focused details such as ¿Kertesz photographing stairs extending past the small figure and out of sight.¿…mehr
Taking its title from Shakespeare¿s Othello, a play that questions the veracity of what eyes actually see, Ocular Proof explores not only what each of us sees, but also how photographs modify sight as they capture, distort, frame, and simultaneously encourage discovery. These poems play off critical insights about the function of photographs and the power of visual imagery in the modern world and yet are decidedly personal. They address the unreality of one¿s own life, the illegibility of the past and future, and our strong attraction to focused details such as ¿Kertesz photographing stairs extending past the small figure and out of sight.¿
Martha Ronk is the author of thirteen books of poetry, a memoir, and a collection of short stories, Glass Grapes. Her books include The Place One Is, A Myth of Ariadne, Silences, Ocular Proof, Transfer of Qualities (longlisted for the National Book Award), and in a landscape of having to repeat. Her work has been included in the anthologies Lyric Postmodernisms , American Hybrid, Not for Mothers Only, and most recently in North American Women Poets in the 21st Century. She is the emeritus Irma and Jay Price Professor of English at Occidental College in Los Angeles.
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