Old Stories Retold delves into intertextual resonances cultivated with traditional literature in modern Chinese fiction from both the mainland and Taiwan. These resonances develop alternative historical sensibilities which reveal the effects of modernization on Chinese culture.
Old Stories Retold delves into intertextual resonances cultivated with traditional literature in modern Chinese fiction from both the mainland and Taiwan. These resonances develop alternative historical sensibilities which reveal the effects of modernization on Chinese culture.
Chapter 1 1 Introduction: History, Memory, and Phantasmal Pasts Part 2 Part I Parody: Traditional Narrative Revamped Chapter 3 2 Tradition Redux: Parody and Pathology Chapter 4 3 Return to the Primitive: De-Civilized Origins in Han Shaogong's Fiction Chapter 5 4 Interlude: The Maoist (Anti)Tradition and the Nationalist (Neo)Tradition Part 6 Part II Citation: Strategies of Intertextual Connection Chapter 7 5 The Lyrical and the Local: Shen Congwen, Roots, and Temporality in the Lyrical Tradition Chapter 8 6 Tradition in Exile: Allusion and Quotation in Bai Xianyong's Taipei People Chapter 9 7 Back to the Future: Temporality and Cliché in Wang Anyi's Song of Everlasting Sorrow Chapter 10 8 Globalized Traditions: Zhu Tianxin's The Ancient Capital Chapter 11 Conclusion
Chapter 1 1 Introduction: History, Memory, and Phantasmal Pasts Part 2 Part I Parody: Traditional Narrative Revamped Chapter 3 2 Tradition Redux: Parody and Pathology Chapter 4 3 Return to the Primitive: De-Civilized Origins in Han Shaogong's Fiction Chapter 5 4 Interlude: The Maoist (Anti)Tradition and the Nationalist (Neo)Tradition Part 6 Part II Citation: Strategies of Intertextual Connection Chapter 7 5 The Lyrical and the Local: Shen Congwen, Roots, and Temporality in the Lyrical Tradition Chapter 8 6 Tradition in Exile: Allusion and Quotation in Bai Xianyong's Taipei People Chapter 9 7 Back to the Future: Temporality and Cliché in Wang Anyi's Song of Everlasting Sorrow Chapter 10 8 Globalized Traditions: Zhu Tianxin's The Ancient Capital Chapter 11 Conclusion
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