Robert Graves' "On English Poetry: Being an Irregular Approach to the Psychology of This Art, from Evidence Mainly Subjective" offers a fascinating and insightful journey into the heart of English verse. More than simple literary criticism, this work delves into the subjective experience and psychological underpinnings of poetry, exploring its creation and reception. Graves approaches the subject with a unique perspective, drawing on personal insights and a deep understanding of the English poetic tradition. This volume presents a historical exploration of English poetry, examining its…mehr
Robert Graves' "On English Poetry: Being an Irregular Approach to the Psychology of This Art, from Evidence Mainly Subjective" offers a fascinating and insightful journey into the heart of English verse. More than simple literary criticism, this work delves into the subjective experience and psychological underpinnings of poetry, exploring its creation and reception. Graves approaches the subject with a unique perspective, drawing on personal insights and a deep understanding of the English poetic tradition. This volume presents a historical exploration of English poetry, examining its evolution and enduring power. Students of literature, poetry enthusiasts, and anyone interested in the psychology of art will find this collection of essays to be both stimulating and thought-provoking. Graves' reflections on rhetoric and the art of poetry provide a timeless perspective on the creative process, solidifying its place as a significant work in literary criticism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Robert von Ranke Graves (1895 - 1985), also known as Robert Ranke Graves and most commonly Robert Graves, was an English poet, historical novelist, critic and classicist. In a way similar to Oscar Wilde, Robert Graves was a Celticist and student of Irish mythology, by the influence of his father Alfred Perceval Graves, a celebrated Irish poet - with William Wilde, these families were inheritors of the Gaelic revival. He produced more than 140 works. Graves's poems-together with his translations and innovative analysis and interpretations of the Greek myths; his memoir of his early life, including his role in the First World War, Good-Bye to All That; and his speculative study of poetic inspiration, The White Goddess-have never been out of print. Irish literature deeply affected Graves' White Goddess theories, specifically the genre aisling. He earned his living from writing, particularly popular historical novels such as I, Claudius, King Jesus, The Golden Fleece and Count Belisarius. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of The Twelve Caesars and The Golden Ass remain popular, for their clarity and entertaining style. Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God.
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