This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians,…mehr
This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.
Rex Butler is Professor of Art History in the Faculty of Art Design and Architecture at Monash University, Australia. David Denny is Adjunct Professor of Philosophy at the University of Portland, USA. Previously, he was Associate Professor of Culture and Media Studies at Marylhurst University, USA.
Inhaltsangabe
1. Introduction: The Look of Silence at the Act of Killing Rex Butler (Monash University, Australia) 2. An Interview with Putu Oka Sukanta and Galuh Wandita Rex Butler (Monash University, Australia) and David Denny (teacher of Philosophy, USA) 3. Thinking of Joshua for My Country, Indonesia Martin Aleida (Journalist, Indonesia) 4. A Conversation about The Act of Killing Niels Pagh Anderson (Norwegian National Film School, Norway) and Joshua Oppenheimer (Film Director, Denmark) 5. A Conversation about The Look of Silence Niels Pagh Anderson (Norwegian National Film School, Norway) and Joshua Oppenheimer (Film Director, Denmark) 6. The Presence and Absence of History in The Act of Killing John Roosa (University of British Columbia, Canada) 7. The Act of Killing, The Look of Silence: Movies against the Politics of Stigma Asep Topan (Independent Scholar, Australia) 8. Performance and Human Rights in Joshua Oppenheimer's The Act of Killing and The Look of Silence Alexandra S. Moore (Binghamton University, USA) 9. Joshua Oppenheimer's Provocation and its Reception Iqra Anugrah (University of Turin, Italy) 10. All That is Spectral Made into Solid: Watching The Act of Killing and The Look of Silence as Ghost Stories Tito Ambyo (RMIT University, Australia) 11. The Historical Situation: Oppenheimer's Metacinema in the Context of Documentary Traditions David LaRocca (Author and Filmmaker, USA) 12. The Truth of Atrocity: The Act of Killing, The Look of Silence and Fantasmatic Violence Hilary Neroni (University of Vermont, USA) 13. The Discourse of the Analyst: A Reading of The Act of Killing David Denny (teacher of Philosophy, USA) 14. Conclusion: On Forgiveness for Acts of Killing Rex Butler (Monash University, Australia) Index
1. Introduction: The Look of Silence at the Act of Killing Rex Butler (Monash University, Australia) 2. An Interview with Putu Oka Sukanta and Galuh Wandita Rex Butler (Monash University, Australia) and David Denny (teacher of Philosophy, USA) 3. Thinking of Joshua for My Country, Indonesia Martin Aleida (Journalist, Indonesia) 4. A Conversation about The Act of Killing Niels Pagh Anderson (Norwegian National Film School, Norway) and Joshua Oppenheimer (Film Director, Denmark) 5. A Conversation about The Look of Silence Niels Pagh Anderson (Norwegian National Film School, Norway) and Joshua Oppenheimer (Film Director, Denmark) 6. The Presence and Absence of History in The Act of Killing John Roosa (University of British Columbia, Canada) 7. The Act of Killing, The Look of Silence: Movies against the Politics of Stigma Asep Topan (Independent Scholar, Australia) 8. Performance and Human Rights in Joshua Oppenheimer's The Act of Killing and The Look of Silence Alexandra S. Moore (Binghamton University, USA) 9. Joshua Oppenheimer's Provocation and its Reception Iqra Anugrah (University of Turin, Italy) 10. All That is Spectral Made into Solid: Watching The Act of Killing and The Look of Silence as Ghost Stories Tito Ambyo (RMIT University, Australia) 11. The Historical Situation: Oppenheimer's Metacinema in the Context of Documentary Traditions David LaRocca (Author and Filmmaker, USA) 12. The Truth of Atrocity: The Act of Killing, The Look of Silence and Fantasmatic Violence Hilary Neroni (University of Vermont, USA) 13. The Discourse of the Analyst: A Reading of The Act of Killing David Denny (teacher of Philosophy, USA) 14. Conclusion: On Forgiveness for Acts of Killing Rex Butler (Monash University, Australia) Index
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