Roberta Carreri is one of acclaimed theatre company Odin Teatret's longest-serving actors, and the last to be trained by Eugenio Barba himself. In this book, she relives the milestones of her professional journey, including: her first experiences of street theatre the discovery of Asian performance traditions pedagogical activities and character creation encounters with artists and spectators the inception of her solo performances, Judith and Salt
Roberta Carreri is one of acclaimed theatre company Odin Teatret's longest-serving actors, and the last to be trained by Eugenio Barba himself. In this book, she relives the milestones of her professional journey, including: her first experiences of street theatre the discovery of Asian performance traditions pedagogical activities and character creation encounters with artists and spectators the inception of her solo performances, Judith and Salt
Acknowledgements On Time and In Visibility: Training in Context - Foreword by Frank Camilleri Preface in the Form of a Letter from Eugenio Barba PART ONE: The Story and the Training Introduction Milan and Some Dates Holstebro and Carpignano Salentino The Transmission of Experience Exercises and Principles Slow Motion Composition Introversion and Extroversion Denmark Geronimo and Street Theatre Sources of Inspiration Dialogue with Tiredness Segmentation Being Decisive Thought in Action Improvisations Individual Improvisation Composing a Character A Little Digression into Private Life Marble Meeting the Asian Masters Judith Notes on Improvisation The Voice in Training and in Performance Salt Our Chronic Life Metamorphosis Photographs: A Gallery of Characters PART TWO: The Workshop The Dance of Intentions PART THREE: Perspectives A Memory Not Only For and By Itself - A Note on Methodology by Francesca Romana Rietti Backward Steps - Epilogue by Nando Taviani Photo credits
Acknowledgements On Time and In Visibility: Training in Context - Foreword by Frank Camilleri Preface in the Form of a Letter from Eugenio Barba PART ONE: The Story and the Training Introduction Milan and Some Dates Holstebro and Carpignano Salentino The Transmission of Experience Exercises and Principles Slow Motion Composition Introversion and Extroversion Denmark Geronimo and Street Theatre Sources of Inspiration Dialogue with Tiredness Segmentation Being Decisive Thought in Action Improvisations Individual Improvisation Composing a Character A Little Digression into Private Life Marble Meeting the Asian Masters Judith Notes on Improvisation The Voice in Training and in Performance Salt Our Chronic Life Metamorphosis Photographs: A Gallery of Characters PART TWO: The Workshop The Dance of Intentions PART THREE: Perspectives A Memory Not Only For and By Itself - A Note on Methodology by Francesca Romana Rietti Backward Steps - Epilogue by Nando Taviani Photo credits
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