Blair Hoxby
Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Herausgeber: Hoxby, Blair
Blair Hoxby
Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Herausgeber: Hoxby, Blair
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book explores the tense relationship between opera and tragedy â often described as antithetical forms of theatre â from the 1630s to the 1780s.
Andere Kunden interessierten sich auch für
- Opera, Emotion, and the Antipodes Volume I46,99 €
- Anthony R. DelDonnaOpera, Theatrical Culture and Society in Late Eighteenth-Century Naples160,99 €
- Gaston LerouxPhantom of the Opera, The11,99 €
- Simon CritchleyTragedy, the Greeks and Us17,99 €
- An Introduction to Poetic Forms39,99 €
- Richard Seaford (University of Exeter)Tragedy, Ritual and Money in Ancient Greece47,99 €
- Auguste ProstCorneille Agrippa - Volume 156,99 €
-
-
-
This book explores the tense relationship between opera and tragedy â often described as antithetical forms of theatre â from the 1630s to the 1780s.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 352
- Erscheinungstermin: 23. Februar 2024
- Englisch
- Abmessung: 235mm x 164mm x 32mm
- Gewicht: 700g
- ISBN-13: 9781487503512
- ISBN-10: 1487503512
- Artikelnr.: 67614459
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Toronto Press
- Seitenzahl: 352
- Erscheinungstermin: 23. Februar 2024
- Englisch
- Abmessung: 235mm x 164mm x 32mm
- Gewicht: 700g
- ISBN-13: 9781487503512
- ISBN-10: 1487503512
- Artikelnr.: 67614459
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Blair Hoxby is a professor of English at Stanford University.
Illustrations
Acknowledgements
Introduction
Blair Hoxby
1. Machine Plays in France: Between Italian Opera and French Tragedy in
Music
Hélène Visentin
2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau
Blair Hoxby
3. Tragedy in Flux
Downing A. Thomas
4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the
Crossroads of Opera’s Early Modern History
Stefanie Tcharos
5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist
Francesca Savoia
6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide,
Clemency, Natural Law
Enrico Zucchi
7. Game of Thrones in the Russian Empire: Metastasio Revisited for St
Petersburg
Tatiana Korneeva
8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition
at the London Opera
Robert C. Ketterer
9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi
(1778-1784)
Magnus Tessing Schneider
10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo
Goldoni’s Drammi Giocosi per Musica
Pervinca Rista
Bibliography
Contributor List
Index
Acknowledgements
Introduction
Blair Hoxby
1. Machine Plays in France: Between Italian Opera and French Tragedy in
Music
Hélène Visentin
2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau
Blair Hoxby
3. Tragedy in Flux
Downing A. Thomas
4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the
Crossroads of Opera’s Early Modern History
Stefanie Tcharos
5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist
Francesca Savoia
6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide,
Clemency, Natural Law
Enrico Zucchi
7. Game of Thrones in the Russian Empire: Metastasio Revisited for St
Petersburg
Tatiana Korneeva
8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition
at the London Opera
Robert C. Ketterer
9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi
(1778-1784)
Magnus Tessing Schneider
10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo
Goldoni’s Drammi Giocosi per Musica
Pervinca Rista
Bibliography
Contributor List
Index
Illustrations
Acknowledgements
Introduction
Blair Hoxby
1. Machine Plays in France: Between Italian Opera and French Tragedy in
Music
Hélène Visentin
2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau
Blair Hoxby
3. Tragedy in Flux
Downing A. Thomas
4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the
Crossroads of Opera’s Early Modern History
Stefanie Tcharos
5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist
Francesca Savoia
6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide,
Clemency, Natural Law
Enrico Zucchi
7. Game of Thrones in the Russian Empire: Metastasio Revisited for St
Petersburg
Tatiana Korneeva
8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition
at the London Opera
Robert C. Ketterer
9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi
(1778-1784)
Magnus Tessing Schneider
10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo
Goldoni’s Drammi Giocosi per Musica
Pervinca Rista
Bibliography
Contributor List
Index
Acknowledgements
Introduction
Blair Hoxby
1. Machine Plays in France: Between Italian Opera and French Tragedy in
Music
Hélène Visentin
2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau
Blair Hoxby
3. Tragedy in Flux
Downing A. Thomas
4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the
Crossroads of Opera’s Early Modern History
Stefanie Tcharos
5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist
Francesca Savoia
6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide,
Clemency, Natural Law
Enrico Zucchi
7. Game of Thrones in the Russian Empire: Metastasio Revisited for St
Petersburg
Tatiana Korneeva
8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition
at the London Opera
Robert C. Ketterer
9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi
(1778-1784)
Magnus Tessing Schneider
10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo
Goldoni’s Drammi Giocosi per Musica
Pervinca Rista
Bibliography
Contributor List
Index