This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
Slavoj iek is a Hegelian philosopher, a Lacanian psychoanalyst, and a Communist. He is International Director at the Birkbeck Institute for Humanities, University of London, UK, Visiting Professor at the New York University, USA, and Senior Researcher at the Department of Philosophy, University of Ljubljana, Slovenia.
Inhaltsangabe
Introduction: For the Love of the Opera 1. Philosophy in the Opera Mladen Dolar 1.1 The Birth of Opera from the Spirit of Absolutism 1.2 Acheronta movebo 1.3 The Logic of Mercy 1.4 Opera buffa 1.5 Syntax 1.6 Die Entfuhrung aus dem Serail 1.7 Figaro 1.8 Don Giovanni 1.9 The Opera in Philosophy: Mozart and Kierkegaard 1.10 La femme machine 1.11 Machine in Love 1.12 A Philosopher in the Opera 1.13 Machine and Enjoyment 1.14 The Rationalistic Myth of the Enlightenment 1.15 He is a Man Even More, He is a Prince 1.16 Three Continuations 2. I Do Not Order My Dreams Slavoj Zizek 2.1 Death Drive and the Wagnerian Sublime The Forced Choice The Disavowal Deeper than the day could read The 'What Ifs' Tristan's Journey to the Bottom of the Night Transgression? No, thanks! Wagner's Sexualized Politics The Moebius Band 2.2 The Everlasting Irony of the Community Wagner with Kierkegaard Kundry's Laughter . . and her Kiss The Feminine versus Woman 2.3 Interlude: The Feminine Excess 2.4 Run, Isolde, Run The Cyberspace Tristan The Morning After It quacks, hoots, pants, and gasps The Separated Flames No More Running Notes Bibliography
Introduction: For the Love of the Opera 1. Philosophy in the Opera Mladen Dolar 1.1 The Birth of Opera from the Spirit of Absolutism 1.2 Acheronta movebo 1.3 The Logic of Mercy 1.4 Opera buffa 1.5 Syntax 1.6 Die Entfuhrung aus dem Serail 1.7 Figaro 1.8 Don Giovanni 1.9 The Opera in Philosophy: Mozart and Kierkegaard 1.10 La femme machine 1.11 Machine in Love 1.12 A Philosopher in the Opera 1.13 Machine and Enjoyment 1.14 The Rationalistic Myth of the Enlightenment 1.15 He is a Man Even More, He is a Prince 1.16 Three Continuations 2. I Do Not Order My Dreams Slavoj Zizek 2.1 Death Drive and the Wagnerian Sublime The Forced Choice The Disavowal Deeper than the day could read The 'What Ifs' Tristan's Journey to the Bottom of the Night Transgression? No, thanks! Wagner's Sexualized Politics The Moebius Band 2.2 The Everlasting Irony of the Community Wagner with Kierkegaard Kundry's Laughter . . and her Kiss The Feminine versus Woman 2.3 Interlude: The Feminine Excess 2.4 Run, Isolde, Run The Cyberspace Tristan The Morning After It quacks, hoots, pants, and gasps The Separated Flames No More Running Notes Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
