...supported by a wealth of information --- often novel and fascinating --- which the author has collected from a great variety of sources. Admirable industry, sound judgement, and excellent style have produced a book that ought to be in the hands of every conductor. --- Max Rudolf Journal of the Conductors' Guild ...an essential book for anyone trying to give responsible performances of 19th-century music. --- Early Music News
...supported by a wealth of information --- often novel and fascinating --- which the author has collected from a great variety of sources. Admirable industry, sound judgement, and excellent style have produced a book that ought to be in the hands of every conductor. --- Max Rudolf Journal of the Conductors' Guild ...an essential book for anyone trying to give responsible performances of 19th-century music. --- Early Music News
List of Figures List of Tables Acknowledgments 1. Introduction Part One: Eighteenth-Century Precedents: From Baroque to Classic 2. Constitution of the Orchestra in the Eighteenth Century 3. Size and Numbers in the Eighteenth-Century Orchestra 4. Eighteenth-Century Seating Plans 5. Conducting in the Eighteenth Century Part Two: The Emerging Conductor and His Changing Forces 6. Conducting as a Métier 7. New Sonorities: The Romantic Orchestral Palette Part Three: Size, Numbers, and proportions in the Nineteenth-Century Orchestra 8. Expansion-Ideas and Reactions 9. Some Particular Nineteenth-Century Orchestras 10. Relative Strengths and Proportions Part Four: Seating in the Nineteenth Century 11. Principles of Seating 12. Concert Seating Plans 13. Seating in the Church 14. Opera Seating 15. Festival Seating 16. Summary of Seating Practices Part Five: Nineteenth-Century Music and Current Performance Practices 17. Toward a "Standard" Orchestra 18. Postscript Notes Bibliography Name Index Subject Index
List of Figures List of Tables Acknowledgments 1. Introduction Part One: Eighteenth-Century Precedents: From Baroque to Classic 2. Constitution of the Orchestra in the Eighteenth Century 3. Size and Numbers in the Eighteenth-Century Orchestra 4. Eighteenth-Century Seating Plans 5. Conducting in the Eighteenth Century Part Two: The Emerging Conductor and His Changing Forces 6. Conducting as a Métier 7. New Sonorities: The Romantic Orchestral Palette Part Three: Size, Numbers, and proportions in the Nineteenth-Century Orchestra 8. Expansion-Ideas and Reactions 9. Some Particular Nineteenth-Century Orchestras 10. Relative Strengths and Proportions Part Four: Seating in the Nineteenth Century 11. Principles of Seating 12. Concert Seating Plans 13. Seating in the Church 14. Opera Seating 15. Festival Seating 16. Summary of Seating Practices Part Five: Nineteenth-Century Music and Current Performance Practices 17. Toward a "Standard" Orchestra 18. Postscript Notes Bibliography Name Index Subject Index
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