Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. This bookexamines this figure within the context of his career-long preoccupation with the production of culture.
Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. This bookexamines this figure within the context of his career-long preoccupation with the production of culture.
Lifongo Vetinde is an associate professor in the department of French and Francophone studies at Lawrence University. Amadou T. Fofana is an associate professor of French at William University.
Inhaltsangabe
Table of Contents Introduction: Cultural Politics in Senegal: A Quest for Relevance, by Lifongo Vetinde Part One: Culture and Development Chapter One: Sembene, Senghor and Competing Notions of Culture and Development at the 1966 Festival Mondial des Arts Nègres de Dakar, by David Murphy Chapter Two: Sembène and the Aesthetics of Senghorian Négritude, by Lifongo Vetinde Chapter Three: Representations of Islam and the question of Identity in Ousmane Sembene's Ceddo, by Cherif Correa Part Two: Discourses Chapter Four: A Twice-Told Tale: The Post-colonial Allegory of La Noire de .(1966) and Faat Kine (2000), by Dayna Oscherwitz Chapter Five: Bringing the Rain Indoors: Rereading the National Allegory in Ousmane Sembene's Xala, by Mathew H. Brown Chapter Six: Women in Sembène's Films: Spatial Reconfigurations and Cultural Meanings, by Moussa Sow Chapter Seven: Why Does Diouana Die? Facing History, Migration and Trauma in Black Girl, by Lyell Davis Part Three: Language and Aesthetics Chapter Eight: La
Table of Contents Introduction: Cultural Politics in Senegal: A Quest for Relevance, by Lifongo Vetinde Part One: Culture and Development Chapter One: Sembene, Senghor and Competing Notions of Culture and Development at the 1966 Festival Mondial des Arts Nègres de Dakar, by David Murphy Chapter Two: Sembène and the Aesthetics of Senghorian Négritude, by Lifongo Vetinde Chapter Three: Representations of Islam and the question of Identity in Ousmane Sembene's Ceddo, by Cherif Correa Part Two: Discourses Chapter Four: A Twice-Told Tale: The Post-colonial Allegory of La Noire de .(1966) and Faat Kine (2000), by Dayna Oscherwitz Chapter Five: Bringing the Rain Indoors: Rereading the National Allegory in Ousmane Sembene's Xala, by Mathew H. Brown Chapter Six: Women in Sembène's Films: Spatial Reconfigurations and Cultural Meanings, by Moussa Sow Chapter Seven: Why Does Diouana Die? Facing History, Migration and Trauma in Black Girl, by Lyell Davis Part Three: Language and Aesthetics Chapter Eight: La
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