"Out of Sorts" offers a series of case studies testing modern theories and assumptions of print culture against particular cases involving typography and typographical representation. Topics covered range from early printed marginalia to electronic editions.
"Out of Sorts" offers a series of case studies testing modern theories and assumptions of print culture against particular cases involving typography and typographical representation. Topics covered range from early printed marginalia to electronic editions.
List of Abbreviations ix List of Illustrations Introduction PART I . OUT OF SORTS Chapter One. On the Continuity of Continuity: Print Culture Mythology and the Type of the Gutenberg Bible (B42) Chapter Two. Gottfried Zedler and the Twentieth-Century History of DK Type Chapter Three. The Voodoo Economics of Space: From Gothic to Roman Chapter Four. The Typographical Gothic: A Cautionary Note on the Title Page to Percy's Reliques of Ancient English Poetry INTERLUDE At the Typographical Altar: Interlude for Randall McLeod PART I I . IMAGES AND TEXTS Chapter Five. Fists and Filiations in Early Chaucer Folios (1532-1602) Chapter Six. Editorial and Typographical Diplomacy in the Piers Plowman Archive Chapter Seven. The Representation of Representation: Versions of Linear Perspective Chapter Eight. Typographical Antiquity in Thomas Frognall Dibdin's Typographical Antiquities Conclusion: Print Culture Redivivus/Note on a Note by Walt Whitman Notes Principal Works Cited Index Acknowledgments
List of Abbreviations ix List of Illustrations Introduction PART I . OUT OF SORTS Chapter One. On the Continuity of Continuity: Print Culture Mythology and the Type of the Gutenberg Bible (B42) Chapter Two. Gottfried Zedler and the Twentieth-Century History of DK Type Chapter Three. The Voodoo Economics of Space: From Gothic to Roman Chapter Four. The Typographical Gothic: A Cautionary Note on the Title Page to Percy's Reliques of Ancient English Poetry INTERLUDE At the Typographical Altar: Interlude for Randall McLeod PART I I . IMAGES AND TEXTS Chapter Five. Fists and Filiations in Early Chaucer Folios (1532-1602) Chapter Six. Editorial and Typographical Diplomacy in the Piers Plowman Archive Chapter Seven. The Representation of Representation: Versions of Linear Perspective Chapter Eight. Typographical Antiquity in Thomas Frognall Dibdin's Typographical Antiquities Conclusion: Print Culture Redivivus/Note on a Note by Walt Whitman Notes Principal Works Cited Index Acknowledgments
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