The Oxford Handbook of Methods for Public Scholarship presents the first comprehensive overview of research methods and practices for engaging in public scholarship. Public scholarship, which has been on the rise over the past 25 years, produces knowledge that is available outside of the academy, is useful to relevant stakeholders, and addresses publicly identified needs. By involving stakeholders in the entire process, and making the findings accessible, public scholars contribute to a crucial democratization of research. The Oxford Handbook of Methods for Public Scholarship features a wealth…mehr
The Oxford Handbook of Methods for Public Scholarship presents the first comprehensive overview of research methods and practices for engaging in public scholarship. Public scholarship, which has been on the rise over the past 25 years, produces knowledge that is available outside of the academy, is useful to relevant stakeholders, and addresses publicly identified needs. By involving stakeholders in the entire process, and making the findings accessible, public scholars contribute to a crucial democratization of research. The Oxford Handbook of Methods for Public Scholarship features a wealth of highly respected interdisciplinary contributors, as well as emerging scholars, and chapters include robust examples from real world research in varied fields and cultures. The volume features ample discussion of working with non-academic stakeholders, coverage of traditional and emergent methods including those that draw from the arts, the internet, social media, and digital technologies, and coverage of key issues such as writing, publicity, and funding.
Patricia Leavy, PhD, is a leading researcher, acclaimed author, and public speaker. She has published more than 25 books, including Research Design: Quantitative, Qualitative, Mixed Methods, Arts-Based, and Community-Based Participatory Research Approaches, Handbook of Arts-Based Research, Method Meets Art, The Oxford Handbook of Qualitative Research, and the novels Spark, Blue, American Circumstance, and Low-Fat Love. She is also series creator and editor for seven book series with Oxford University Press and Brill-Sense, including the ground-breaking Social Fictions series. She has blogged for The Creativity Post, The Huffington Post, Mogul, and We Are the Real Deal and is cofounder and co-editor-in-chief of Art/Research International: A Transdisciplinary Journal. She has received career awards from the New England Sociological Association, the American Creativity Association, the American Educational Research Association, the National Art Education Association, and the International Congress of Qualitative Inquiry, and the State University of New York at New Paltz has established the "Patricia Leavy Award for Art and Social Justice."
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* Preface * Part 1: The Changing Academic and Social Landscape * 1. Introduction to The Oxford Handbook of Methods for Public Scholarship * Patricia Leavy * 2. The 21st Century Academic Landscape: From a Disciplinary to a Transdisciplinary Model * Patricia Leavy * 3. Public scholarship, Public Intellectuals and the Role of Higher Education in a Time of Crisis * Henry Giroux * 4. Composing an Undivided Life as an Activist/Scholar: Methods for Practicing Engaged Social Movement Scholarship * Adria D. Goodson * Part 2: Research Design with Vulnerable Populations and Non-Academic Stakeholders * 5. Ethical Issues Working with Vulnerable Populations * Isabel Araiza * 6. Ethical Challenges Community-Based Researchers and Community-Based Organizations Face: Can We Still Work Together? * Margaret Boyd * 7. The Impossible Task of Community Art Practice: A methodological micro-guide for seven young Chicagoans * Jorge Lucero and William Estrada * 8. For the Sake of Humanity: Research on Cross-cultural Collaborative Arts for Public Health * Wendy L. Sternberg * 9. (Un)Settling Imagined Lands: A Par/Des(i) Approach to De/colonizing Methodologies Kakali Bhattacharya * 10. Disaster Research: Past, Present, and Future * Mark R. Landahl, DeeDee Bennett, and Brenda D. Phillips * Part 3: Taking Traditional Methods Public * 11. Interviews: Using conversations in public scholarship * Svend Brinkmann * 12. Public Ethnography * Tony E. Adams and Robin M. Boylorn * 13. Oral History, The Public Record, and The Story * Valerie J. Janesick * Part 4: The Arts * 14. Literature and Creative Writing as Public Scholarship * Sandra Faulkner and Sheila Squillante * 15. Health Theatre: Embodying Research * Susan Cox and George Belliveau * 16. Narrative Film as Public Scholarship * Yen Yen Woo * 17. Visual Art Campaigns * Raisa Foster * Part 5: The Internet, Social Media and Technology * 18. Cellphilms in Public Scholarship * Katie MacEntee, Casey Burkholder, and Joshua Schwab-Cartas * 19. Online, Asynchronous Data Collection in Qualitative Research * Tracy Spencer, Linnea Rademaker, Peter Williams, and Cynthia Loubier * 20. #spacesforknowledgeproduction * Daniel T. Barney, Lorrie Blair, and Juan Carlos Castro * 21. Data Collection via Email * Adrienne Trier-Bieniek * Part 6: Writing and Dissemination * 22. Audience and Voice (and Sometimes Reflexivity) * Yvonna Lincoln, Vassa Grichko, and Glenn Allen Phillips * 23. Creative Nonfiction in Qualitative Inquiry * Jessica Smartt Gullion and Jessica Spears Williams * 24. Writing Collaboratively * JeffriAnne Wilder * 25. Academic Blogs * Jimmie Manning * 26. Academics writing for a broader public audience * Phillip Vannini and Sarah Abbott * 27. Generating Publicity and Engaging with the Media to Promote Academic Research * Mark David Ryan * Part 7: Considerations * 28. Grant Writing as a Creative Process: Methods from Brainstorming to Project-Building, Mangement and Completion * Ellen Gorsevski, Kate Magsamen-Conrad, and Lisa Hanasono * 29. Growing the Revolutionary Intellectual, Creating the Counterpublic Sphere * Peter McLaren and Lilia D. Monzó * 30. A Brief Statement on the Future of Public Scholarship and the Research Methods Landscape * Patricia Leavy
* Preface * Part 1: The Changing Academic and Social Landscape * 1. Introduction to The Oxford Handbook of Methods for Public Scholarship * Patricia Leavy * 2. The 21st Century Academic Landscape: From a Disciplinary to a Transdisciplinary Model * Patricia Leavy * 3. Public scholarship, Public Intellectuals and the Role of Higher Education in a Time of Crisis * Henry Giroux * 4. Composing an Undivided Life as an Activist/Scholar: Methods for Practicing Engaged Social Movement Scholarship * Adria D. Goodson * Part 2: Research Design with Vulnerable Populations and Non-Academic Stakeholders * 5. Ethical Issues Working with Vulnerable Populations * Isabel Araiza * 6. Ethical Challenges Community-Based Researchers and Community-Based Organizations Face: Can We Still Work Together? * Margaret Boyd * 7. The Impossible Task of Community Art Practice: A methodological micro-guide for seven young Chicagoans * Jorge Lucero and William Estrada * 8. For the Sake of Humanity: Research on Cross-cultural Collaborative Arts for Public Health * Wendy L. Sternberg * 9. (Un)Settling Imagined Lands: A Par/Des(i) Approach to De/colonizing Methodologies Kakali Bhattacharya * 10. Disaster Research: Past, Present, and Future * Mark R. Landahl, DeeDee Bennett, and Brenda D. Phillips * Part 3: Taking Traditional Methods Public * 11. Interviews: Using conversations in public scholarship * Svend Brinkmann * 12. Public Ethnography * Tony E. Adams and Robin M. Boylorn * 13. Oral History, The Public Record, and The Story * Valerie J. Janesick * Part 4: The Arts * 14. Literature and Creative Writing as Public Scholarship * Sandra Faulkner and Sheila Squillante * 15. Health Theatre: Embodying Research * Susan Cox and George Belliveau * 16. Narrative Film as Public Scholarship * Yen Yen Woo * 17. Visual Art Campaigns * Raisa Foster * Part 5: The Internet, Social Media and Technology * 18. Cellphilms in Public Scholarship * Katie MacEntee, Casey Burkholder, and Joshua Schwab-Cartas * 19. Online, Asynchronous Data Collection in Qualitative Research * Tracy Spencer, Linnea Rademaker, Peter Williams, and Cynthia Loubier * 20. #spacesforknowledgeproduction * Daniel T. Barney, Lorrie Blair, and Juan Carlos Castro * 21. Data Collection via Email * Adrienne Trier-Bieniek * Part 6: Writing and Dissemination * 22. Audience and Voice (and Sometimes Reflexivity) * Yvonna Lincoln, Vassa Grichko, and Glenn Allen Phillips * 23. Creative Nonfiction in Qualitative Inquiry * Jessica Smartt Gullion and Jessica Spears Williams * 24. Writing Collaboratively * JeffriAnne Wilder * 25. Academic Blogs * Jimmie Manning * 26. Academics writing for a broader public audience * Phillip Vannini and Sarah Abbott * 27. Generating Publicity and Engaging with the Media to Promote Academic Research * Mark David Ryan * Part 7: Considerations * 28. Grant Writing as a Creative Process: Methods from Brainstorming to Project-Building, Mangement and Completion * Ellen Gorsevski, Kate Magsamen-Conrad, and Lisa Hanasono * 29. Growing the Revolutionary Intellectual, Creating the Counterpublic Sphere * Peter McLaren and Lilia D. Monzó * 30. A Brief Statement on the Future of Public Scholarship and the Research Methods Landscape * Patricia Leavy
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