Painting and Presence - Rudd, Anthony (Associate Professor of Philosophy, Associate Professo
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This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author traces an understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, and Phenomenologists inspired by European Modernist art.

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Produktbeschreibung
This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author traces an understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, and Phenomenologists inspired by European Modernist art.
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Autorenporträt
Dr Anthony Rudd studied Philosophy as an undergraduate at Cambridge and took his PhD at the University of Bristol (1998). He was a Lecturer in Philosophy at the University of Hertfordshire, 1999-2001, and since 2001 has taught in the United States at St. Olaf College, Minnesota. He is the author of Kierkegaard and the Limits of the Ethical (1993); Expressing the World: Skepticism, Wittgenstein and Heidegger (2003); and Self, Value and Narrative: a Kierkegaardian Approach (2012).