Argues that contemporary culture - a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust - has fostered a radical scepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.
Argues that contemporary culture - a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust - has fostered a radical scepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.
Samuel Chase Coale is Professor of American Literature and Culture at Wheaton College in Massachusetts and author of Mesmerism and Hawthorne: Mediums of American Romance and The Mystery of Mysteries: Cultural Differences and Designs.
Inhaltsangabe
1. Acknowledgments 2. 1. The Conspiracy of Postmodernism as Suspect and Sublime 3. 2. Conspiracy and Apocalypse in Popular Culture 4. 3. Conspiracy in Fiction: From Da Vinci to Damascus 5. 4. Joan Didion: The Fatal Glamour of Conspiracy 6. 5. Don DeLillo: Mystic Musings in a Paranoid’s Paradise 7. 6. Thomas Pynchon: The Functions of Conspiracy and the Performance of Paranoia 8. 7. Toni Morrison’s Trilogy of Obsession: “Something Rogue” and Conspiracy’s Comeuppance 9. Epilogue 10. Notes 11. Works Cited 12. Index
1. Acknowledgments 2. 1. The Conspiracy of Postmodernism as Suspect and Sublime 3. 2. Conspiracy and Apocalypse in Popular Culture 4. 3. Conspiracy in Fiction: From Da Vinci to Damascus 5. 4. Joan Didion: The Fatal Glamour of Conspiracy 6. 5. Don DeLillo: Mystic Musings in a Paranoid’s Paradise 7. 6. Thomas Pynchon: The Functions of Conspiracy and the Performance of Paranoia 8. 7. Toni Morrison’s Trilogy of Obsession: “Something Rogue” and Conspiracy’s Comeuppance 9. Epilogue 10. Notes 11. Works Cited 12. Index
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