"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Br²vig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--
"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Br²vig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--
Ragnhild Brøvig-Hanssen is Professor of Popular Music Studies in the Department of Musicology and Research Fellow at RITMO, the Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo.
Inhaltsangabe
Acknowledgments ix 1 Introduction: Mashups and Takedowns 1 2 Mashup Music as Parody: Its Roots and Specificity 27 3 Producing Mashups and the Pleasure of Play 53 4 The HAHA, AHA, and AH Impacts of Mashups 93 5 Sampling Ethics and Mashups' Legality 137 6 How Platform Moderation Affects Mashup Producers 175 7 Authorship and Ownership in the Age of Remix and Takedowns 209 Appendix: Notes on MASHED Interview and Survey Methods 231 Notes 237 References 269 Index 299
Acknowledgments ix 1 Introduction: Mashups and Takedowns 1 2 Mashup Music as Parody: Its Roots and Specificity 27 3 Producing Mashups and the Pleasure of Play 53 4 The HAHA, AHA, and AH Impacts of Mashups 93 5 Sampling Ethics and Mashups' Legality 137 6 How Platform Moderation Affects Mashup Producers 175 7 Authorship and Ownership in the Age of Remix and Takedowns 209 Appendix: Notes on MASHED Interview and Survey Methods 231 Notes 237 References 269 Index 299
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