The analysis of the three authors' proverbs through comparisons with classical, medieval, and early modern collections of maxims and sententiae provides insights on the fluidity of such expressions, and illustrates the tight relationship between proverbs and sociocultural factors.
The analysis of the three authors' proverbs through comparisons with classical, medieval, and early modern collections of maxims and sententiae provides insights on the fluidity of such expressions, and illustrates the tight relationship between proverbs and sociocultural factors.
Daniela D'Eugenio is an assistant professor of Italian at the University of Arkansas. She completed her PhD at the City University of New York. Previously, she worked for the Proverbi italiani database at the Accademia della Crusca (Florence, Italy). D'Eugenio's research interests focus primarily on the study of proverbs in the context of Renaissance and Baroque literature, paleography, irony and humor, and pedagogical approaches in the foreign language classroom. Her articles and entries appeared in ""Accio che 'l nostro dire sia ben chiaro,"" Scritti per Nicoletta Maraschio, Digital Georgetown, Encyclopedia of the Medieval Chronicle, Forum Italicum, International Studies in Humour, Italica, and the Newberry Library Project ""Italian Paleography."" Currently, she is examining the intersections between the verbal, the visual, and proverbs in calligraphy manuals and emblem books.
Inhaltsangabe
* Acknowledgments * Foreword * Criteria for Transcription * Notes on Quotations, Translations, and Abbreviations * Chapter One: Literary History and Theories of Paremias * Chapter Two: Vincenzo Brusantino's Le cento novella: Paremias and Tridentine Ethics in Reinterpreting the Decameron * Chapter Three: John Florio's Firste Fruites and Second Frutes: Paremias and Elizabethan Teaching of the Italian Language * Chapter Four: Pompeo Sarnelli's Posilecheata: Paremias and the Multifaceted Neapolitan Baroque * Conclusion * Index of Paremias in Le cento novella, Firste Fruites, Second Frutes , and Posilecheata * Notes * Works Consulted * Index of Names
* Acknowledgments * Foreword * Criteria for Transcription * Notes on Quotations, Translations, and Abbreviations * Chapter One: Literary History and Theories of Paremias * Chapter Two: Vincenzo Brusantino's Le cento novella: Paremias and Tridentine Ethics in Reinterpreting the Decameron * Chapter Three: John Florio's Firste Fruites and Second Frutes: Paremias and Elizabethan Teaching of the Italian Language * Chapter Four: Pompeo Sarnelli's Posilecheata: Paremias and the Multifaceted Neapolitan Baroque * Conclusion * Index of Paremias in Le cento novella, Firste Fruites, Second Frutes , and Posilecheata * Notes * Works Consulted * Index of Names
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