Partners in suspense
Critical essays on Bernard Herrmann and Alfred Hitchcock
Herausgeber: Rawle, Steven; Donnelly, Kevin J.
Partners in suspense
Critical essays on Bernard Herrmann and Alfred Hitchcock
Herausgeber: Rawle, Steven; Donnelly, Kevin J.
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A compelling collection that looks at one of the most famed director-composer collaborations in film history. -- .
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A compelling collection that looks at one of the most famed director-composer collaborations in film history. -- .
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 240
- Erscheinungstermin: 14. Mai 2019
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 362g
- ISBN-13: 9781526139528
- ISBN-10: 1526139529
- Artikelnr.: 54611941
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Manchester University Press
- Seitenzahl: 240
- Erscheinungstermin: 14. Mai 2019
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 362g
- ISBN-13: 9781526139528
- ISBN-10: 1526139529
- Artikelnr.: 54611941
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Steven Rawle is Associate Professor in Film and Media at York St John University K. J. Donnelly is Professor of Film and Film Music at the University of Southampton
Introduction
K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer
Jack Sullivan 2. Hitchcock, music and the mathematics of editing
Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo
Kevin Clifton 4. The therapeutic power of music in Hitchcock's films
Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock
Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much
Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960)
Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite
David Cooper 9. The sound of The Birds
Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964)
K. J. Donnelly 11. The murder of Gromek: theme and variations
Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography
Gergely Hubai 13. The Herrmann
Hitchcock murder mysteries: post
mortem
William H. Rosar 14. How could you possibly be a Hitchcocko
Herrmannian?: Digitally re
narrativising collaborative authorship
Steven Rawle Index
K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer
Jack Sullivan 2. Hitchcock, music and the mathematics of editing
Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo
Kevin Clifton 4. The therapeutic power of music in Hitchcock's films
Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock
Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much
Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960)
Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite
David Cooper 9. The sound of The Birds
Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964)
K. J. Donnelly 11. The murder of Gromek: theme and variations
Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography
Gergely Hubai 13. The Herrmann
Hitchcock murder mysteries: post
mortem
William H. Rosar 14. How could you possibly be a Hitchcocko
Herrmannian?: Digitally re
narrativising collaborative authorship
Steven Rawle Index
Introduction
K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer
Jack Sullivan 2. Hitchcock, music and the mathematics of editing
Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo
Kevin Clifton 4. The therapeutic power of music in Hitchcock's films
Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock
Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much
Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960)
Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite
David Cooper 9. The sound of The Birds
Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964)
K. J. Donnelly 11. The murder of Gromek: theme and variations
Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography
Gergely Hubai 13. The Herrmann
Hitchcock murder mysteries: post
mortem
William H. Rosar 14. How could you possibly be a Hitchcocko
Herrmannian?: Digitally re
narrativising collaborative authorship
Steven Rawle Index
K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer
Jack Sullivan 2. Hitchcock, music and the mathematics of editing
Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo
Kevin Clifton 4. The therapeutic power of music in Hitchcock's films
Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock
Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much
Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960)
Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite
David Cooper 9. The sound of The Birds
Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964)
K. J. Donnelly 11. The murder of Gromek: theme and variations
Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography
Gergely Hubai 13. The Herrmann
Hitchcock murder mysteries: post
mortem
William H. Rosar 14. How could you possibly be a Hitchcocko
Herrmannian?: Digitally re
narrativising collaborative authorship
Steven Rawle Index







