Ayanna Thompson is Associate Professor of English and Women & Gender Studies at Arizona State University. She is the editor of Colorblind Shakespeare: New Perspectives on Race and Performance (Routledge, 2006).
Inhaltsangabe
* Acknowledgments * 1: Introduction: The Passing Strangeness of Shakespeare in America * 2: Universalism: Two Films that Brush with the Bard, Suture and Bringing Down the House * 3: Essentialism: Meditations Inspired by Farrukh Dondy's novel Black Swan * 4: Multiculturalism: The Classics, Casting, and Confusion * 5: Original(ity): Othello and Blackface * 6: Reform: Redefining Authenticity in Shakespeare Reform Programs * 7: Archives: Classroom-Inspired Performance Videos on YouTube * 8: Conclusion: Passing Race and Passing Shakespeare in Peter Sellars's Othello * Works Cited * Index
* Acknowledgments * 1: Introduction: The Passing Strangeness of Shakespeare in America * 2: Universalism: Two Films that Brush with the Bard, Suture and Bringing Down the House * 3: Essentialism: Meditations Inspired by Farrukh Dondy's novel Black Swan * 4: Multiculturalism: The Classics, Casting, and Confusion * 5: Original(ity): Othello and Blackface * 6: Reform: Redefining Authenticity in Shakespeare Reform Programs * 7: Archives: Classroom-Inspired Performance Videos on YouTube * 8: Conclusion: Passing Race and Passing Shakespeare in Peter Sellars's Othello * Works Cited * Index
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