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This study overturns twentieth-century thinking about pasticcio opera, redefining it as method not genre, and recontextualising it among many artforms which created new works from pre-existing parts. Its history is interwoven with societyâ s transition from a predominantly oral to literate culture and evolutions in conceptualising the self. -- .

Produktbeschreibung
This study overturns twentieth-century thinking about pasticcio opera, redefining it as method not genre, and recontextualising it among many artforms which created new works from pre-existing parts. Its history is interwoven with societyâ s transition from a predominantly oral to literate culture and evolutions in conceptualising the self. -- .
Autorenporträt
Peter Morgan Barnes is a research fellow in opera at the University of Bristol and currently a heritage researcher at Swansea University