Simon Goldhill / Robin Osborne (eds.)
Performance Culture and Athenian Democracy
Herausgeber: Goldhill, Simon; Osborne, Robin
Simon Goldhill / Robin Osborne (eds.)
Performance Culture and Athenian Democracy
Herausgeber: Goldhill, Simon; Osborne, Robin
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This 1999 book discusses the ways performance is central to the practice and ideology of Athenian democracy.
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This 1999 book discusses the ways performance is central to the practice and ideology of Athenian democracy.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 430
- Erscheinungstermin: 1. August 2012
- Englisch
- Abmessung: 235mm x 157mm x 30mm
- Gewicht: 845g
- ISBN-13: 9780521642477
- ISBN-10: 0521642477
- Artikelnr.: 29337584
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 430
- Erscheinungstermin: 1. August 2012
- Englisch
- Abmessung: 235mm x 157mm x 30mm
- Gewicht: 845g
- ISBN-13: 9780521642477
- ISBN-10: 0521642477
- Artikelnr.: 29337584
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
1. Programme notes Simon Goldhill; Part I. The Performance of Drama: 2.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
1. Programme notes Simon Goldhill; Part I. The Performance of Drama: 2.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.