Ernest Norling
Perspective Made Easy
Ernest Norling
Perspective Made Easy
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Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
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Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
Produktdetails
- Produktdetails
- Verlag: Dover Publications Inc.
- Seitenzahl: 224
- Erscheinungstermin: 28. März 2003
- Englisch
- Abmessung: 217mm x 138mm x 14mm
- Gewicht: 268g
- ISBN-13: 9780486404738
- ISBN-10: 0486404730
- Artikelnr.: 21853440
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Dover Publications Inc.
- Seitenzahl: 224
- Erscheinungstermin: 28. März 2003
- Englisch
- Abmessung: 217mm x 138mm x 14mm
- Gewicht: 268g
- ISBN-13: 9780486404738
- ISBN-10: 0486404730
- Artikelnr.: 21853440
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
FOREWORD STEP ONE The Horizon The Vanishing Point The Eye-Level STEP TWO
The Eye-Level and Its Relationship to Perspective Drawing STEP THREE
Parallel lines as We Seem Them Parallel Lines Related to One-Point
Perspective STEP FOUR The Three Sets of Parallels Locating the Point and
the Eye-Level STEP FIVE The Two Vanishing Points "The "Height" Lines" STEP
SIX Placing the Two Vanishing Points The Error of Close Spacing STEP SEVEN
Showing How the Vanishing Points Move in Relationship to One Another STEP
EIGHT Building Perspective with Bricks STEP NINE Placing Figures and
Objects in a Drawing STEP TEN Center of Interest Changing the View Roofs in
Perspective STEP ELEVEN Interiors Placing of Furniture STEP TWELVE Finding
the Center Dividing Spaces into Halves Practical Applications STEP THIRTEEN
Cylinders in Perspective Drawing Ellipses STEP FOURTEEN Practical Uses of
Cylinders in Drawing Dividing the Circle STEP FIFTEEN Dividing a Surface in
Perspective Drawing a Checkerboard STEP SIXTEEN Shade and Shadow STEP
SEVENTEEN Reflections STEP EIGHTEEN Unusual Perspective Up-and-Down Points
Examples STEP NINETEEN Perspective Downhill Perspective Uphill The False
Eye-Level STEP TWENTY Mechanical Perspective
The Eye-Level and Its Relationship to Perspective Drawing STEP THREE
Parallel lines as We Seem Them Parallel Lines Related to One-Point
Perspective STEP FOUR The Three Sets of Parallels Locating the Point and
the Eye-Level STEP FIVE The Two Vanishing Points "The "Height" Lines" STEP
SIX Placing the Two Vanishing Points The Error of Close Spacing STEP SEVEN
Showing How the Vanishing Points Move in Relationship to One Another STEP
EIGHT Building Perspective with Bricks STEP NINE Placing Figures and
Objects in a Drawing STEP TEN Center of Interest Changing the View Roofs in
Perspective STEP ELEVEN Interiors Placing of Furniture STEP TWELVE Finding
the Center Dividing Spaces into Halves Practical Applications STEP THIRTEEN
Cylinders in Perspective Drawing Ellipses STEP FOURTEEN Practical Uses of
Cylinders in Drawing Dividing the Circle STEP FIFTEEN Dividing a Surface in
Perspective Drawing a Checkerboard STEP SIXTEEN Shade and Shadow STEP
SEVENTEEN Reflections STEP EIGHTEEN Unusual Perspective Up-and-Down Points
Examples STEP NINETEEN Perspective Downhill Perspective Uphill The False
Eye-Level STEP TWENTY Mechanical Perspective
FOREWORD STEP ONE The Horizon The Vanishing Point The Eye-Level STEP TWO
The Eye-Level and Its Relationship to Perspective Drawing STEP THREE
Parallel lines as We Seem Them Parallel Lines Related to One-Point
Perspective STEP FOUR The Three Sets of Parallels Locating the Point and
the Eye-Level STEP FIVE The Two Vanishing Points "The "Height" Lines" STEP
SIX Placing the Two Vanishing Points The Error of Close Spacing STEP SEVEN
Showing How the Vanishing Points Move in Relationship to One Another STEP
EIGHT Building Perspective with Bricks STEP NINE Placing Figures and
Objects in a Drawing STEP TEN Center of Interest Changing the View Roofs in
Perspective STEP ELEVEN Interiors Placing of Furniture STEP TWELVE Finding
the Center Dividing Spaces into Halves Practical Applications STEP THIRTEEN
Cylinders in Perspective Drawing Ellipses STEP FOURTEEN Practical Uses of
Cylinders in Drawing Dividing the Circle STEP FIFTEEN Dividing a Surface in
Perspective Drawing a Checkerboard STEP SIXTEEN Shade and Shadow STEP
SEVENTEEN Reflections STEP EIGHTEEN Unusual Perspective Up-and-Down Points
Examples STEP NINETEEN Perspective Downhill Perspective Uphill The False
Eye-Level STEP TWENTY Mechanical Perspective
The Eye-Level and Its Relationship to Perspective Drawing STEP THREE
Parallel lines as We Seem Them Parallel Lines Related to One-Point
Perspective STEP FOUR The Three Sets of Parallels Locating the Point and
the Eye-Level STEP FIVE The Two Vanishing Points "The "Height" Lines" STEP
SIX Placing the Two Vanishing Points The Error of Close Spacing STEP SEVEN
Showing How the Vanishing Points Move in Relationship to One Another STEP
EIGHT Building Perspective with Bricks STEP NINE Placing Figures and
Objects in a Drawing STEP TEN Center of Interest Changing the View Roofs in
Perspective STEP ELEVEN Interiors Placing of Furniture STEP TWELVE Finding
the Center Dividing Spaces into Halves Practical Applications STEP THIRTEEN
Cylinders in Perspective Drawing Ellipses STEP FOURTEEN Practical Uses of
Cylinders in Drawing Dividing the Circle STEP FIFTEEN Dividing a Surface in
Perspective Drawing a Checkerboard STEP SIXTEEN Shade and Shadow STEP
SEVENTEEN Reflections STEP EIGHTEEN Unusual Perspective Up-and-Down Points
Examples STEP NINETEEN Perspective Downhill Perspective Uphill The False
Eye-Level STEP TWENTY Mechanical Perspective







