This book develops the interplay between phenomenology as a historical movement and as a descriptive method within Continental philosophy and the arts.
This book develops the interplay between phenomenology as a historical movement and as a descriptive method within Continental philosophy and the arts.
A. Licia Carlson is associate professor of philosophy at Providence College. Peter R. Costello is professor of philosophy at Providence College.
Inhaltsangabe
Introduction Peter R. Costello Overview Licia Carlson Phenomenological Method Chapter 1 Phenomenological Description and Artistic Expression John Russon Chapter 2 On the Possibility of the 'Purity' and Primacy of Art: A Phenomenological Analysis Based in Merleau-Ponty, Husserl, and Kant Galen A. Johnson Chapter 3 In the Interest of Art John Lysaker Chapter 4 Between Fabrication and Form: Heidegger's Phenomenology of the Work of Art Brian Rogers Visual Arts Chapter 5 Husserl, Expressionism, and the Eidetic Impulse in Brücke's Woodcut Christian Lotz Chapter 6 Blind Narcissism: Derrida, Klee, and Merleau-Ponty on the Line Scott Marratto Chapter 7 Perceptual Openness and Institutional Closure in the Contemporary Artworks of Luis Jacob and Phillip Buntin Kirsten Jacobson Literature Chapter 8 An Organism of Words: Merleau-Ponty on Embodiment, Language and Literature Susan Bredlau Chapter 9 Questioning the Material of Meaning: Merleau-Ponty, Adorno, and Beckett on the Dynamic Character of Expression Whitney Howell Chapter 10 "Thinking According to Others": Expression, Intimacy, and the Passage of Time in Merleau-Ponty and Woolf. Laura McMahon Music Chapter 11 Another Standard: Jazz Music and the Experience of Self-Transcendence Jeff Morrisey Chapter 12 Encounters with Musical Others Licia Carlson Place and Action Chapter 13 Of Earth and Sky: The Phenomenology of James Turrell's Roden Crater Project Matthew Goodwin Chapter 14 Transitional Objects, Playful Faculties, and Par-ergon-omics-Moving Together Towards Religious Art Peter Costello Chapter 15 Hegel and the Phenomenology of Art David Ciavatta
Introduction Peter R. Costello Overview Licia Carlson Phenomenological Method Chapter 1 Phenomenological Description and Artistic Expression John Russon Chapter 2 On the Possibility of the 'Purity' and Primacy of Art: A Phenomenological Analysis Based in Merleau-Ponty, Husserl, and Kant Galen A. Johnson Chapter 3 In the Interest of Art John Lysaker Chapter 4 Between Fabrication and Form: Heidegger's Phenomenology of the Work of Art Brian Rogers Visual Arts Chapter 5 Husserl, Expressionism, and the Eidetic Impulse in Brücke's Woodcut Christian Lotz Chapter 6 Blind Narcissism: Derrida, Klee, and Merleau-Ponty on the Line Scott Marratto Chapter 7 Perceptual Openness and Institutional Closure in the Contemporary Artworks of Luis Jacob and Phillip Buntin Kirsten Jacobson Literature Chapter 8 An Organism of Words: Merleau-Ponty on Embodiment, Language and Literature Susan Bredlau Chapter 9 Questioning the Material of Meaning: Merleau-Ponty, Adorno, and Beckett on the Dynamic Character of Expression Whitney Howell Chapter 10 "Thinking According to Others": Expression, Intimacy, and the Passage of Time in Merleau-Ponty and Woolf. Laura McMahon Music Chapter 11 Another Standard: Jazz Music and the Experience of Self-Transcendence Jeff Morrisey Chapter 12 Encounters with Musical Others Licia Carlson Place and Action Chapter 13 Of Earth and Sky: The Phenomenology of James Turrell's Roden Crater Project Matthew Goodwin Chapter 14 Transitional Objects, Playful Faculties, and Par-ergon-omics-Moving Together Towards Religious Art Peter Costello Chapter 15 Hegel and the Phenomenology of Art David Ciavatta
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