The long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processes
The long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processesHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert Hirsch is an artist, writer, and the director of Light Research (www.lightresearch.net). His books include Seizing the Light: A Social & Aesthetic History of Photography, Light and Lens: Photography in the Digital Age, Photographic Possibilities: The Expressive Use of Concepts, Equipment, Materials, and Processes, Exploring Color Photography: From Film to Pixels, and Transformational Imagemaking: Handmade Photography from 1960 to Now. Hirsch is a former Associate Editor for Digital Camera and Photovision magazines, and a contributor to Afterimage, Exposure, History of Photography, The Photo Review, Photo Technique, and World Book Encyclopedia as well as former Director of CEPA Gallery. He has published scores of articles about visual culture and interviewed numerous eminent imagemakers. Hirsch's work has been internationally exhibited in over 200 solo and group shows.
Inhaltsangabe
Chapter 1 Essential Moments in Photographic Printmaking Chapter 2 Predarkroom Actions: Imaginative Thinking Chapter 3 Special Classic Cameras and Equipment Chapter 4 Image Capture: Special-Use Films, Processing, and Digital Negative Making Chapter 5 Formulas of One's Own Chapter 6 Black-and-White Film Developers Chapter 7 Analog Fine Printmaking: Equipment, Materials, and Processes Chapter 8 Black-and-White Paper Developers Chapter 9 Toning for Visual Effects Chapter 10 Classic Historic Processes Chapter 11 Pigmented and Alternative Processes Chapter 12 Transforming Photographic Concepts: Expanding the Lexicon Addendum 1 Safety Guidelines
Chapter 1 Essential Moments in Photographic Printmaking Chapter 2 Predarkroom Actions: Imaginative Thinking Chapter 3 Special Classic Cameras and Equipment Chapter 4 Image Capture: Special-Use Films, Processing, and Digital Negative Making Chapter 5 Formulas of One's Own Chapter 6 Black-and-White Film Developers Chapter 7 Analog Fine Printmaking: Equipment, Materials, and Processes Chapter 8 Black-and-White Paper Developers Chapter 9 Toning for Visual Effects Chapter 10 Classic Historic Processes Chapter 11 Pigmented and Alternative Processes Chapter 12 Transforming Photographic Concepts: Expanding the Lexicon Addendum 1 Safety Guidelines
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