Atrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes.
Atrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes.
Janina Struk is a freelance photographer and writer. She has been a senior lecturer in photography at the University of Westminster in London.
Inhaltsangabe
Introduction: A Photograph from the Archives 1. Photography and National Socialism 1933-39 2. Photographs as Evidence 3. Armed with a Camera 4. Cameras in the Ghettos 5. Cameras in the Camps 6. Liberations 7. Constructing the Post-war Memory: 'Don't Mention the Jews' 8. Commercializing the Holocaust: 'There's No Business Like Shoah Business' 9. Interpretations of the Evidence 10. Dying for Eternity
Introduction: A Photograph from the Archives 1. Photography and National Socialism 1933-39 2. Photographs as Evidence 3. Armed with a Camera 4. Cameras in the Ghettos 5. Cameras in the Camps 6. Liberations 7. Constructing the Post-war Memory: 'Don't Mention the Jews' 8. Commercializing the Holocaust: 'There's No Business Like Shoah Business' 9. Interpretations of the Evidence 10. Dying for Eternity
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826