These essays provide a dense ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice.
This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. It critically engages current debates in African photography and visual anthropology and makes an important contribution to our understanding of the relationship between photography and ethnographic research methods.
This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. It critically engages current debates in African photography and visual anthropology and makes an important contribution to our understanding of the relationship between photography and ethnographic research methods.







