"Argues that our contemporary treatment of the image as a circulating object was forged by three 20th century institutions: the museum, the library, and the stock photography agency"--
"Argues that our contemporary treatment of the image as a circulating object was forged by three 20th century institutions: the museum, the library, and the stock photography agency"--
Acknowledgments ix Prologue: Picture-workers xiii Introduction: Picture-problems 1 1 Circulating Collection Style: Pictures as Documents at the New York Public Library 25 2 The Museum Without Walls: The Museum of Modern Art and Photography's Double Duty 79 3 "Your Story in Pictures Leaves Nothing Untold": H. Armstrong Roberts and the Rise of American Stock Photography 131 4 The New Universal Collection: From Pictures to Digital Assets 187 Coda: Angels of History 231 Notes 239 Bibliography 279 Index 301
Acknowledgments ix Prologue: Picture-workers xiii Introduction: Picture-problems 1 1 Circulating Collection Style: Pictures as Documents at the New York Public Library 25 2 The Museum Without Walls: The Museum of Modern Art and Photography's Double Duty 79 3 "Your Story in Pictures Leaves Nothing Untold": H. Armstrong Roberts and the Rise of American Stock Photography 131 4 The New Universal Collection: From Pictures to Digital Assets 187 Coda: Angels of History 231 Notes 239 Bibliography 279 Index 301
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