This book collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship and its attendant rights in settler national contexts.
This book collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship and its attendant rights in settler national contexts.
Fay Anderson is an Associate Professor in the School of Media, Film and Journalism at Monash University, Australia. She has published widely on Australian and journalism history, news photography, war, genocide, trauma, migration and crime. Her latest book is The Holocaust and Australian Journalism: Reporting and Reckoning (2024). Jane Lydon is the Wesfarmers Chair of Australian History at the University of Western Australia. Her books include Imperial Emotions: The Politics of Empathy across the British Empire (2020) and Photography, Humanitarianism, Empire (2016) which explores the role of photography in shaping ideas about race and difference from the 1840s to the 1948 Declaration of Human Rights. Melissa Miles is Professor of Art History at Monash University, Australia. Her books include Photography, Truth and Reconciliation, Pacific Exposures: Photography and the Australia-Japan Relationship (with Robin Gerster) and The Language of Light and Dark, which examines the productive role of visual culture in public life, politics and intercultural relations. Amanda Nettelbeck is Professor of History in the Institute of Humanities & Social Sciences, Australian Catholic University. Her last book Indigenous Rights and Colonial Subjecthood (2019) won the 2020 ANZLHS Legal History Prize, and her current book project explores how ideas of colonial citizenship were produced and contested in the 19th century settler empire.
Inhaltsangabe
Foreword Eddie Synot (Indigenous Law Centre Griffith University Australia) 1. Introduction: Picturing Citizenship: Images Belonging and Colonial Legacies in the Settler Nation Fay Anderson Melissa Miles Jane Lydon and Amanda Nettelbeck (Monash University Australia University of Western Australia Australia and Australian Catholic University Australia) Part I. Navigating Citizenship: Picturing Belonging 2. Projecting the Good Colonial Citizen: Hawkers in Settler-Colonial Australia Amanda Nettelbeck (Australian Catholic University Australia) 3. Apirana Ngata John Pascoe and The Ngarimu Hui: Picturing Maori Citizenship in 1940s Aotearoa New Zealand Lachy Paterson Angela Wanhalla Sarah Christie and Erica Newman (Otago University New Zealand) 4. Citizenship Art and Aspiration: 'New Australian' Artists in the Post-War Period Melissa Miles (Monash University Australia) 5. The Photographic and Democratic Encounter: News Photography and the 1967 Referendum Fay Anderson and Julian Rawiri Kusabs (Monash University Australia and University of Melbourne Australia) Part II. Alternative Citizenships: Challenging the Limits of Belonging and Place 6. He Tipare Taua He Tipare Aho: Photographic Legacies and the Price of Citizenship Natalie Robertson (AUT University Auckland New Zealand) 7. Photographic Acts of Refugee Citizenship Ty Phu (University of Toronto Canada) 8. Dark Beach: Visual Assertions of Australian Citizenship Jane Lydon (University of Western Australia Australia)
Foreword Eddie Synot (Indigenous Law Centre Griffith University Australia) 1. Introduction: Picturing Citizenship: Images Belonging and Colonial Legacies in the Settler Nation Fay Anderson Melissa Miles Jane Lydon and Amanda Nettelbeck (Monash University Australia University of Western Australia Australia and Australian Catholic University Australia) Part I. Navigating Citizenship: Picturing Belonging 2. Projecting the Good Colonial Citizen: Hawkers in Settler-Colonial Australia Amanda Nettelbeck (Australian Catholic University Australia) 3. Apirana Ngata John Pascoe and The Ngarimu Hui: Picturing Maori Citizenship in 1940s Aotearoa New Zealand Lachy Paterson Angela Wanhalla Sarah Christie and Erica Newman (Otago University New Zealand) 4. Citizenship Art and Aspiration: 'New Australian' Artists in the Post-War Period Melissa Miles (Monash University Australia) 5. The Photographic and Democratic Encounter: News Photography and the 1967 Referendum Fay Anderson and Julian Rawiri Kusabs (Monash University Australia and University of Melbourne Australia) Part II. Alternative Citizenships: Challenging the Limits of Belonging and Place 6. He Tipare Taua He Tipare Aho: Photographic Legacies and the Price of Citizenship Natalie Robertson (AUT University Auckland New Zealand) 7. Photographic Acts of Refugee Citizenship Ty Phu (University of Toronto Canada) 8. Dark Beach: Visual Assertions of Australian Citizenship Jane Lydon (University of Western Australia Australia)
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