Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, featuring analysis of previously unpublished material, the historical context for Boulez's music and a final section examining the reception of his music in the United Kingdom.
Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, featuring analysis of previously unpublished material, the historical context for Boulez's music and a final section examining the reception of his music in the United Kingdom.
Preface; Part I. The Context of the Late 1940s and 1950s: 1. Pierre Boulez: composer, traveller, correspondent Edward Campbell; 2. Traces of an apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3. Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A score neither begins nor ends; at most it pretends to': fragmentary reflections on the Boulezian non finito Robert Piencikowski; 5. Serial organisation and beyond: cross-relations of determinants in Le Marteau sans maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet; 6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and free choice in the composition of Pli selon pli - portrait de Mallarmé Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11. Composing an improvisation at the beginning of the 1970s Paolo Dal Molin; Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the suspension of narrative Arnold Whittall.
Preface; Part I. The Context of the Late 1940s and 1950s: 1. Pierre Boulez: composer, traveller, correspondent Edward Campbell; 2. Traces of an apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3. Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A score neither begins nor ends; at most it pretends to': fragmentary reflections on the Boulezian non finito Robert Piencikowski; 5. Serial organisation and beyond: cross-relations of determinants in Le Marteau sans maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet; 6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and free choice in the composition of Pli selon pli - portrait de Mallarmé Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11. Composing an improvisation at the beginning of the 1970s Paolo Dal Molin; Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the suspension of narrative Arnold Whittall.
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