Explores the notion of plagiarism in Victorian fiction and how many writers of this period stole, altered or parodied the characters and plots of previous texts. This book will appeal to students and researchers of nineteenth-century literature and culture, and readers interested in issues of plagiarism, copyright, and intellectual property.
Explores the notion of plagiarism in Victorian fiction and how many writers of this period stole, altered or parodied the characters and plots of previous texts. This book will appeal to students and researchers of nineteenth-century literature and culture, and readers interested in issues of plagiarism, copyright, and intellectual property.
Adam Abrahamis the author of When Magoo Flew: The Rise and Fall of Animation Studio UPA and Plagiarizing the Victorian Novel: Imitation, Parody, Aftertext. He has also written for film, television, and theatre. Now a Postdoctoral Teaching Fellow at Auburn University, he previously taught at Virginia Commonwealth University, New York University, and Oxford.
Inhaltsangabe
Prologue 1. The Pickwick phenomenon 2. Charles Dickens and the pseudo-Dickens industry 3. Parody or, the art of writing Edward Bulwer Lytton 4. Thackeray versus Bulwer versus Bulwer: parody and appropriation 5. Being George Eliot: imitation, imposture, and identity Postscript Posthumous papers Aftertexts.
Prologue 1. The Pickwick phenomenon 2. Charles Dickens and the pseudo-Dickens industry 3. Parody or, the art of writing Edward Bulwer Lytton 4. Thackeray versus Bulwer versus Bulwer: parody and appropriation 5. Being George Eliot: imitation, imposture, and identity Postscript Posthumous papers Aftertexts.
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