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Abigail is a teenager who doesn't quite fit in. She's new in The Rocks, old in her dress sense, and stuck in the middle of her parents' messy separation. She can't wait to get away from all of it. When a street game played by the neighbourhood kids conjures up a mysterious girl, Abigail follows her down twisting alleyways to find herself stuck somewhere strangely familiar and yet entirely strange: The Rocks ... in 1873. Abigail must first work out where on earth she is, then how she's going to get home ... and if she really wants to. Kate Mulvany's adaptation of Ruth Park's classic Playing…mehr

Produktbeschreibung
Abigail is a teenager who doesn't quite fit in. She's new in The Rocks, old in her dress sense, and stuck in the middle of her parents' messy separation. She can't wait to get away from all of it. When a street game played by the neighbourhood kids conjures up a mysterious girl, Abigail follows her down twisting alleyways to find herself stuck somewhere strangely familiar and yet entirely strange: The Rocks ... in 1873. Abigail must first work out where on earth she is, then how she's going to get home ... and if she really wants to. Kate Mulvany's adaptation of Ruth Park's classic Playing Beatie Bow, follows in the footsteps of her much-lauded version of Park's The Harp in the South, with all its colour, music, humour and verve. In a rollicking tale filled with mystery, romance and magic, Playing Beatie Bow explores the gift each of us must discover inside ourselves. The past is closer than you think.
Autorenporträt
KATE MULVANY is an award-winning playwright and screenwriter. Mulvany's play The Rasputin Affair has recently been produced at the Ensemble Theatre and her play Jasper Jones, an adaptation of Craig Silvey's novel, has enjoyed great success at Belvoir Street Theatre and the MTC in two separate productions after its Barking Gecko premiere in 2015. In 2015 Mulvany's play Masquerade, a reimagining of the much-loved children's book by Kit Williams, was performed at the 2015 Sydney Festival and the State Theatre Company of South Australia as well as Melbourne Festival, produced by Griffin Theatre Company. Her autobiographical play The Seed (Belvoir Street Theatre) won the Sydney Theatre Award for Best Independent Production. With Mulvany performing in the play, it received great critical success and toured nationally and is currently being developed into a feature film. Mulvany's Medea, co-written with Anne-Louise Sarks, having been produced by Belvoir Street Theatre in 2012, won several awards including an AWGIE Award and five Sydney Theatre Awards, and has gone on to be produced in Poland and at the Gate Theatre in London, to rave reviews. Other plays and musicals include: The Danger Age, Blood and Bone, The Web, Somewhere (co-written with Tim Minchin for the Joan Sutherland PAC) and Storytime, which won Mulvany the 2004 Philip Parsons Award. As a screenwriter, Mulvany has worked on the development of several television series for Australian production houses and she is developing a feature film based on The Seed and an untitled Matchbox Pictures drama. Mulvany is also an award-winning stage and screen actor with credits with many of the major Sydney theatre companies and in many television dramas and films. Most recently Mulvany has played the eponymous role in Richard III (Bell Shakespeare) to great critical and popular acclaim.