Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of Banned! Censorship of Popular Music in Britain, 1967-1992.Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is Rockin' Out: Popular Music in the USA.Contributors: Alenka Barber-Kersovan, Vanessa Bastian, Paul D. Fischer, Jeroen de Kloet, Michael Drewett, Steve Greenfield, Mike Jones, Keith Kahn-Harris, Dave Laing, Guy Osborn, David Parvo, Jos¿oberto Zan, and the editors.…mehr
Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of Banned! Censorship of Popular Music in Britain, 1967-1992.Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is Rockin' Out: Popular Music in the USA.Contributors: Alenka Barber-Kersovan, Vanessa Bastian, Paul D. Fischer, Jeroen de Kloet, Michael Drewett, Steve Greenfield, Mike Jones, Keith Kahn-Harris, Dave Laing, Guy Osborn, David Parvo, Jos¿oberto Zan, and the editors.
Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of Banned! Censorship of Popular Music in Britain, 1967-1992.Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is Rockin' Out: Popular Music in the USA.Contributors: Alenka Barber-Kersovan, Vanessa Bastian, Paul D. Fischer, Jeroen de Kloet, Michael Drewett, Steve Greenfield, Mike Jones, Keith Kahn-Harris, Dave Laing, Guy Osborn, David Parvo, José Roberto Zan, and the editors.
Inhaltsangabe
AcknowledgmentsIntroductionPart I: Defining Issues and Themes1. Call That Censorship? Problems of Definition Martin Cloonan2. I Want My MP3: Who Owns Internet Music" Reebee Garofalo3. Twenty Years of Music Censorship Around the World Vanessa Bastian and Dave Laing4. Remote Control: Legal Censorship of the Creative Process Steve Greenfield and Guy OsbornPart II: Controlling the Artistic5. Death Metal and the Limits of Musical Expression Keith Kahn Harris6. Marxists in the Marketplace Mike Jones7. Argh Fuck Kill Canadian Hardcore Goes on Trial: The Case of the Dayglo Abortions Rob Bowman8. Strelnikoff: Censorship in Contemporary Slovenia David ParvoPart III: Up Against the State9. Music in the Struggle to End Apartheid: South Africa Michael Drewett10. Confusing Confucius: Rock in Contemporary China Jeroen de Kloet (Holland)11. German Nazi Bands: Between Provocation and Repression Alenka Barber Kersovan (Germany)12. Popular Music and Policing in Brazil José Roberto Zan (Brazil)13. Challenging Music as Expression in the US Paul D. Fischer (US)About the Contributors
AcknowledgmentsIntroductionPart I: Defining Issues and Themes1. Call That Censorship? Problems of Definition Martin Cloonan2. I Want My MP3: Who Owns Internet Music" Reebee Garofalo3. Twenty Years of Music Censorship Around the World Vanessa Bastian and Dave Laing4. Remote Control: Legal Censorship of the Creative Process Steve Greenfield and Guy OsbornPart II: Controlling the Artistic5. Death Metal and the Limits of Musical Expression Keith Kahn Harris6. Marxists in the Marketplace Mike Jones7. Argh Fuck Kill Canadian Hardcore Goes on Trial: The Case of the Dayglo Abortions Rob Bowman8. Strelnikoff: Censorship in Contemporary Slovenia David ParvoPart III: Up Against the State9. Music in the Struggle to End Apartheid: South Africa Michael Drewett10. Confusing Confucius: Rock in Contemporary China Jeroen de Kloet (Holland)11. German Nazi Bands: Between Provocation and Repression Alenka Barber Kersovan (Germany)12. Popular Music and Policing in Brazil José Roberto Zan (Brazil)13. Challenging Music as Expression in the US Paul D. Fischer (US)About the Contributors
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