Political reading of Fellini’s theme and image through a close examination of papers, publicity files and debates (in contrast with the notorious self-referential interpretation of his films) and historical reconstruction of his clash with Silvio Berlusconi during the 80’s. Analysis of the making of Fellini’s reputation (and tactical use of the rhetoric of "Maestro"). Commentary on the (unknown) private correspondence between Fellini and Giulio Andreotti (leader of the Christian Democratic Party and most influential political in the after-war period). Close analysis of Fellini in Italian history, culture and identity.…mehr
Political reading of Fellini’s theme and image through a close examination of papers, publicity files and debates (in contrast with the notorious self-referential interpretation of his films) and historical reconstruction of his clash with Silvio Berlusconi during the 80’s. Analysis of the making of Fellini’s reputation (and tactical use of the rhetoric of "Maestro"). Commentary on the (unknown) private correspondence between Fellini and Giulio Andreotti (leader of the Christian Democratic Party and most influential political in the after-war period). Close analysis of Fellini in Italian history, culture and identity.
Andrea Minuz is Assistant Professor of Film & Media Studies in the Department of Art History and Perfor;ming Arts, University of Rome "La Sapienza". He is the author of La Shoah e la cultura visuale. Cinema, memoria, spazio pubblico (Bulzoni Editore, 2010) [The Holocaust and Visual Culture: Film, Memory, the Public Sphere].
Inhaltsangabe
Preface to the English edition Acknowledgments Essential Chronology by Fabio Benincasa Introduction: Political Fellini? Chapter 1. Fellini and "Italian Ideology" Chapter 2. Mythical biography of a Nation Chapter 3. La dolce vita, our contemporary Chapter 4. Fellini, Mussolini and the complex of Rome Chapter 5. Fellini and feminism Chapter 6. A public dream. The Italy of Prova d'orchestra Chapter 7. You don't interrupt an emotion Appendix: the Maestro and the Divo, Fellini in the Andreotti archives Selected Bibliography Index
Preface to the English edition Acknowledgments Essential Chronology by Fabio Benincasa Introduction: Political Fellini? Chapter 1. Fellini and "Italian Ideology" Chapter 2. Mythical biography of a Nation Chapter 3. La dolce vita, our contemporary Chapter 4. Fellini, Mussolini and the complex of Rome Chapter 5. Fellini and feminism Chapter 6. A public dream. The Italy of Prova d'orchestra Chapter 7. You don't interrupt an emotion Appendix: the Maestro and the Divo, Fellini in the Andreotti archives Selected Bibliography Index
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