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Political reading of Fellini’s theme and image through a close examination of papers, publicity files and debates (in contrast with the notorious self-referential interpretation of his films) and historical reconstruction of his clash with Silvio Berlusconi during the 80’s. Analysis of the making of Fellini’s reputation (and tactical use of the rhetoric of "Maestro"). Commentary on the (unknown) private correspondence between Fellini and Giulio Andreotti (leader of the Christian Democratic Party and most influential political in the after-war period). Close analysis of Fellini in Italian history, culture and identity.…mehr

Produktbeschreibung
Political reading of Fellini’s theme and image through a close examination of papers, publicity files and debates (in contrast with the notorious self-referential interpretation of his films) and historical reconstruction of his clash with Silvio Berlusconi during the 80’s. Analysis of the making of Fellini’s reputation (and tactical use of the rhetoric of "Maestro"). Commentary on the (unknown) private correspondence between Fellini and Giulio Andreotti (leader of the Christian Democratic Party and most influential political in the after-war period). Close analysis of Fellini in Italian history, culture and identity.
Autorenporträt
Andrea Minuz is Assistant Professor of Film & Media Studies in the Department of Art History and Perfor;ming Arts, University of Rome "La Sapienza". He is the author of La Shoah e la cultura visuale. Cinema, memoria, spazio pubblico (Bulzoni Editore, 2010) [The Holocaust and Visual Culture: Film, Memory, the Public Sphere].