Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Introduction 1. Theodor Adorno: Charlie Chaplin's Monsieur Verdoux 2. Walter Benjamin: Ken Loach's Land and Freedom 3. Ernst Bloch: Woody Allen's Midnight in Paris 4. Gilles Deleuze: Kleber Mendonça Filho's Neighbouring Sounds 5. Alain Badiou: Jia Zhangke's A Touch of Sin 6. Jacques Rancière: Gavin Hood's Rendition 7. Julia Kristeva: David Fincher's Fight Club 8. Slavoj Zizek: JC Chandor's Margin Call 9. Cinema and the Aesthetic Self
Introduction 1. Theodor Adorno: Charlie Chaplin's Monsieur Verdoux 2. Walter Benjamin: Ken Loach's Land and Freedom 3. Ernst Bloch: Woody Allen's Midnight in Paris 4. Gilles Deleuze: Kleber Mendonça Filho's Neighbouring Sounds 5. Alain Badiou: Jia Zhangke's A Touch of Sin 6. Jacques Rancière: Gavin Hood's Rendition 7. Julia Kristeva: David Fincher's Fight Club 8. Slavoj Zizek: JC Chandor's Margin Call 9. Cinema and the Aesthetic Self
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