Shedding light on the political implications that arise from narrative decision-making, this book examines animated non-fiction from the Spanish-speaking world.
Shedding light on the political implications that arise from narrative decision-making, this book examines animated non-fiction from the Spanish-speaking world.
Jennifer Nagtegaal is a doctoral candidate in Hispanic Studies at the University of British Columbia.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: Towards Expansion and Liberation in the Field of Animated Documentary 1. Animating Agency: Children’s Articulated and Embodied Politics in Jairo Carrillo and Oscar Andrade’s Pequeñas voces / Little Voices (2010) 2. What’s in a(n) "Cómic Animado" (Animated Comic)? Poetics, Politics, and Personal Myths of Peronism in María Seoane’s Eva de la Argentina / Eva from Argentina (2011) 3. Animating Autobiography: Historical Memory and Catharsis in Manuel H. Martín’s Graphic Novel Documentary 30 años de oscuridad / 30 Years of Darkness (2012) 4. Simply A-musing: Aleix Saló’s Españistan / Spainistan (2011) as Animated Journalism in Spain’s Comic Public Sphere 5. Tracing Cultural Continuities: Rotoscope, Archons, and Archive 2.0 in Victor Orozco’s Essayistic Reality 2.0 (2012) 6. In Uncharted Waters and Totally Unmoored: The Transmedial Documentary Project Cuentos de viejos / Old Folks’ Tales (2013) Notes Bibliography Index
List of Illustrations Acknowledgments Introduction: Towards Expansion and Liberation in the Field of Animated Documentary 1. Animating Agency: Children’s Articulated and Embodied Politics in Jairo Carrillo and Oscar Andrade’s Pequeñas voces / Little Voices (2010) 2. What’s in a(n) "Cómic Animado" (Animated Comic)? Poetics, Politics, and Personal Myths of Peronism in María Seoane’s Eva de la Argentina / Eva from Argentina (2011) 3. Animating Autobiography: Historical Memory and Catharsis in Manuel H. Martín’s Graphic Novel Documentary 30 años de oscuridad / 30 Years of Darkness (2012) 4. Simply A-musing: Aleix Saló’s Españistan / Spainistan (2011) as Animated Journalism in Spain’s Comic Public Sphere 5. Tracing Cultural Continuities: Rotoscope, Archons, and Archive 2.0 in Victor Orozco’s Essayistic Reality 2.0 (2012) 6. In Uncharted Waters and Totally Unmoored: The Transmedial Documentary Project Cuentos de viejos / Old Folks’ Tales (2013) Notes Bibliography Index
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