This book investigates how a Japanese pornographic star can be treated as a cultural product and can be a window into the effects of the cross-cultural migration of cultural products. This in turnreveals that the transformative intermediaries play a significant role in the transformation of cultural products in China.
This book investigates how a Japanese pornographic star can be treated as a cultural product and can be a window into the effects of the cross-cultural migration of cultural products. This in turnreveals that the transformative intermediaries play a significant role in the transformation of cultural products in China.
Zhang Mei is assistant professor at the Institute of Japanese Studies at the Chinese Academy of Social Sciences.
Inhaltsangabe
Introduction 1. Sola in Japan: An "Ordinary" Girl and "Unordinary" Idol 2. Sola as a Weapon of Resistance for Chinese Internet Users 3. Two Chinese Agencies Repositioning Sola 4. A Case of Promotion: Negotiation between Commercial News Portals and the Two Agencies 5. Sola's Image Transformation: Becoming a Site of Contestation 6. Sola's Image Transformation and Chinese Youth's Identity 7. Sola Going Back to Japan as "the Most Famous Japanese in China" Conclusion
Introduction 1. Sola in Japan: An "Ordinary" Girl and "Unordinary" Idol 2. Sola as a Weapon of Resistance for Chinese Internet Users 3. Two Chinese Agencies Repositioning Sola 4. A Case of Promotion: Negotiation between Commercial News Portals and the Two Agencies 5. Sola's Image Transformation: Becoming a Site of Contestation 6. Sola's Image Transformation and Chinese Youth's Identity 7. Sola Going Back to Japan as "the Most Famous Japanese in China" Conclusion
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