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The chapters tie anti-colonial advocacy to the creation of spaces where creativity can flourish, show how creative applied ethnomusicology benefits communities, and address the creative pedagogies required to situate diverse musical cultures in the context of academia, while overcoming gaps in student and faculty understanding

Produktbeschreibung
The chapters tie anti-colonial advocacy to the creation of spaces where creativity can flourish, show how creative applied ethnomusicology benefits communities, and address the creative pedagogies required to situate diverse musical cultures in the context of academia, while overcoming gaps in student and faculty understanding
Autorenporträt
Jennifer LaRue served as postdoctoral scholar in musicology at Florida State University (2023-2025). Her research interests include intercultural music, African art music, popular music, and decolonial approaches to music in academia. She is Director of the consulting site, "Jennifer LaRue Writing." Brenda M. Romero is a professor emerita at the University of Colorado Boulder. She holds a Ph.D. in ethnomusicology (University of California, Los Angeles) and BMus and MMus in music theory/composition (University of New Mexico). She is a recipient of the Fulbright García-Robles Scholar (2000-01) and Fulbright Colombia Scholar (Spring 2011). She coedited Dancing across Borders: Danzas y bailes mexicanos and originated and coedited/coauthored At the Crossroads of Music and Social Justice.