Post-Digital Cultures of the Far Right - Online Actions and Offline Consequences in Europe and the US - Post-Digital Cultures of the Far Right
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How have digital tools and networks transformed the far right's strategies and transnational prospects? This volume presents a unique critical survey of the online and offline tactics, symbols and platforms that are strategically remixed by contemporary far-right groups in Europe and the US. It features thirteen accessible essays by an international range of expert scholars, policy advisors and activists who offer informed answers to a number of urgent practical and theoretical questions: How and why has the internet emboldened extreme nationalisms? What counter-cultural approaches should civil societies develop in response? …mehr

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Produktbeschreibung
How have digital tools and networks transformed the far right's strategies and transnational prospects? This volume presents a unique critical survey of the online and offline tactics, symbols and platforms that are strategically remixed by contemporary far-right groups in Europe and the US. It features thirteen accessible essays by an international range of expert scholars, policy advisors and activists who offer informed answers to a number of urgent practical and theoretical questions: How and why has the internet emboldened extreme nationalisms? What counter-cultural approaches should civil societies develop in response?
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Maik Fielitz ist Bereichsleiter für digitale Konfliktforschung am Institut für
Demokratie und Zivilgesellschaft in Jena. Als Projektleiter am Jenaer Standort
von toneshift Netzwerk gegen Hass im Netz und Desinformation forscht er
zur Transformation des Rechtsextremismus im digitalen Zeitalter und zur Rolle
digitaler Plattformen in liberalen Demokratien. Er ist Mitherausgeber des
Online-Magazins Machine Against the Rage.
Rezensionen
»This global perspective is important in view of the cross-border networking of actors only consistently and brings with it a multitude of new insights.«

Tobias Fernholz, Forschungsjournal Soziale Bewegungen, 32/3 (2019), translated from German 20201005