Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief.
Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief.
Gerald Sim is an Associate Professor of Film and Media Studies at Florida Atlantic University, the author of The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema (2014), and Lee Kong Chian NUS-Stanford Fellow on Contemporary Southeast Asia in 2016-2017.
Inhaltsangabe
Acknowledgments Introduction: Expanding the Postcolonial Map An Unfamiliar Postcoloniality Touchstones in Postcolonial Film Studies: On Style and Practice Strategies Old and New Cold Wars and Methodological Debates Chapter 1: Postcolonial Spatiality: Singapore Maps its Cinema Aerial Maps Affective Colonial Maps The Persistence of Colonial Spatiality Chapter 2: Reorienting Film History Spatially Finding Singapore in the Impossibilities of Tan Pin Pin The Vexed Images of Singapore's New Wave Chapter 3: Postcolonial Cacophonies: Malaysia Senses the World Nancian Soundscapes Resonant Subjects Postcolonial Globalism Chapter 4: Postcolonial Myths: Indonesia Americanizes Stability A Brief History of Sublation American Influence The Road to Reformasi Conclusion: A Look Forward for Southeast Asian Film Studies Theorizing Edwin What Theory and Southeast Asian Cinema Mean to Each Other Bibliography Index
Acknowledgments Introduction: Expanding the Postcolonial Map An Unfamiliar Postcoloniality Touchstones in Postcolonial Film Studies: On Style and Practice Strategies Old and New Cold Wars and Methodological Debates Chapter 1: Postcolonial Spatiality: Singapore Maps its Cinema Aerial Maps Affective Colonial Maps The Persistence of Colonial Spatiality Chapter 2: Reorienting Film History Spatially Finding Singapore in the Impossibilities of Tan Pin Pin The Vexed Images of Singapore's New Wave Chapter 3: Postcolonial Cacophonies: Malaysia Senses the World Nancian Soundscapes Resonant Subjects Postcolonial Globalism Chapter 4: Postcolonial Myths: Indonesia Americanizes Stability A Brief History of Sublation American Influence The Road to Reformasi Conclusion: A Look Forward for Southeast Asian Film Studies Theorizing Edwin What Theory and Southeast Asian Cinema Mean to Each Other Bibliography Index
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