Postdramatic Theatrical Signs in Contemporary British Playwrights - Günenç, Mesut
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Deconstruction of conventionally dramatic forms such as character, story and plot has been the descriptive features of Contemporary British Drama in the 20th and 21st centuries. In this book, the chapters as Deconstuction Subject and Non-Hierarchical Structure, Lack of Plot and Deconstructing the Character and Deconstruction Time, Space, Body and Media clarify the subjects within the concept of Postdramatic Theatre. Analyzing Hans Thies Lehmann's Postdramatic Theory (Postdramatic Theatrical Signs and Aspects), this book investigates Postdramatic Theatre of Martin Crimp, Simon Stephens, Sarah Kane and Mark Ravenhill.…mehr

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Produktbeschreibung
Deconstruction of conventionally dramatic forms such as character, story and plot has been the descriptive features of Contemporary British Drama in the 20th and 21st centuries. In this book, the chapters as Deconstuction Subject and Non-Hierarchical Structure, Lack of Plot and Deconstructing the Character and Deconstruction Time, Space, Body and Media clarify the subjects within the concept of Postdramatic Theatre. Analyzing Hans Thies Lehmann's Postdramatic Theory (Postdramatic Theatrical Signs and Aspects), this book investigates Postdramatic Theatre of Martin Crimp, Simon Stephens, Sarah Kane and Mark Ravenhill.
Autorenporträt
Mesut GÜNENÇ lehrt in der Abteilung für englische Sprache und Literatur an der Adnan-Menderes-Universität. Er promovierte in der Abteilung für englische Sprache und Literatur an der Istanbuler Ayd¿n-Universität. In seiner Forschung konzentriert er sich auf zeitgenössisches britisches Drama und postdramatisches Theater. Er hat Artikel über Dramatiker wie M. Crimp und M. Ravenhill verfasst.