Investigates how postmodern techniques are used to create works that embody contemporary contradictions. The author proposes a poststructuralist/postmodern film theory which enhances the analysis of this type of film.
Investigates how postmodern techniques are used to create works that embody contemporary contradictions. The author proposes a poststructuralist/postmodern film theory which enhances the analysis of this type of film.
Chapter 1 1. Toward a Postmodern Film Theory Chapter 2 2. The Importance of Eisenstein's Theories to Postmodernism Chapter 3 3. Bazin: Phenomenology and Postmodernism Chapter 4 4. Metz: Structuralist Film Theory in the Light of Poststructuralism Chapter 5 5. The Turning Point to Postmodernism: The New Novel and Last Year at Marienbad Chapter 6 6. Canadian Film History and Canadian Identity: Realism, Modernism, and Postmodernism Chapter 7 7. Jesus of Montreal Chapter 8 8. I've Heard the Mermaids Singing Chapter 9 9. Family Viewing Chapter 10 10. Life Classes Chapter 11 11. Conclusion
Chapter 1 1. Toward a Postmodern Film Theory Chapter 2 2. The Importance of Eisenstein's Theories to Postmodernism Chapter 3 3. Bazin: Phenomenology and Postmodernism Chapter 4 4. Metz: Structuralist Film Theory in the Light of Poststructuralism Chapter 5 5. The Turning Point to Postmodernism: The New Novel and Last Year at Marienbad Chapter 6 6. Canadian Film History and Canadian Identity: Realism, Modernism, and Postmodernism Chapter 7 7. Jesus of Montreal Chapter 8 8. I've Heard the Mermaids Singing Chapter 9 9. Family Viewing Chapter 10 10. Life Classes Chapter 11 11. Conclusion
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
