The interdisciplinary essays gathered in this volume explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. Focusing on the Americas, they cast a new light on the role of music production, distribution, and consumption beyond the traditional paradigms of musical discourse.
The interdisciplinary essays gathered in this volume explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. Focusing on the Americas, they cast a new light on the role of music production, distribution, and consumption beyond the traditional paradigms of musical discourse.
Ignacio Corona is associate professor in the Departments of Spanish and Portuguese and Comparative Studies at Ohio State University. Alejandro L. Madrid is assistant professor in the Latin American and Latino studies program at the University of Illinois-Chicago.
Inhaltsangabe
Chapter 1 Preface Part 2 Part I. Postnational Perspectives in Music Scholarship Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 Part 6 Part II. A Transnational Caribbean Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry Part 9 Part III. Across the U.S.-Mexico Border Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity Part 14 Part IV. South-American Connections Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica
Chapter 1 Preface Part 2 Part I. Postnational Perspectives in Music Scholarship Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 Part 6 Part II. A Transnational Caribbean Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry Part 9 Part III. Across the U.S.-Mexico Border Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity Part 14 Part IV. South-American Connections Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica
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