Postwar Revisited
A Global Art History
Herausgeber: Enwezor, Okwui; Gupta, Atreyee
Postwar Revisited
A Global Art History
Herausgeber: Enwezor, Okwui; Gupta, Atreyee
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Postwar Revisited offers a global perspective on art produced during the crucial years between the conclusion of the Second World War in 1945 and the emergence of a tripartite world order in the 1960s.
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Postwar Revisited offers a global perspective on art produced during the crucial years between the conclusion of the Second World War in 1945 and the emergence of a tripartite world order in the 1960s.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 360
- Erscheinungstermin: 22. April 2025
- Englisch
- Gewicht: 572g
- ISBN-13: 9781478028222
- ISBN-10: 147802822X
- Artikelnr.: 71726471
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Duke University Press
- Seitenzahl: 360
- Erscheinungstermin: 22. April 2025
- Englisch
- Gewicht: 572g
- ISBN-13: 9781478028222
- ISBN-10: 147802822X
- Artikelnr.: 71726471
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs. Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.
List of Illustrations xi
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of
Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian
Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan /
Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara
McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the
University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific /
Terry Smith 155
9. Integración plástica: The Postwar Synthesis of the Arts as Seen from
Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni
Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other
Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art /
Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: Négritude Legacies and Thwarted Universalisms in
Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of
Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian
Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan /
Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara
McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the
University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific /
Terry Smith 155
9. Integración plástica: The Postwar Synthesis of the Arts as Seen from
Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni
Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other
Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art /
Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: Négritude Legacies and Thwarted Universalisms in
Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index
List of Illustrations xi
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of
Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian
Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan /
Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara
McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the
University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific /
Terry Smith 155
9. Integración plástica: The Postwar Synthesis of the Arts as Seen from
Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni
Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other
Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art /
Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: Négritude Legacies and Thwarted Universalisms in
Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of
Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian
Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan /
Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara
McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the
University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific /
Terry Smith 155
9. Integración plástica: The Postwar Synthesis of the Arts as Seen from
Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni
Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other
Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art /
Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: Négritude Legacies and Thwarted Universalisms in
Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index