This guide introduces not only the techniques of oil painting but also the underlying principles of figure drawing. A series of images by the Old Masters includes 32 full-color pages.
This guide introduces not only the techniques of oil painting but also the underlying principles of figure drawing. A series of images by the Old Masters includes 32 full-color pages.
Part I Introductory I. A Method by which the Round Object can be Reduced to the Flat II. Construction of the Figure III. Construction of the Head IV. Characterisation V. The Arm and Hands Legs VI. Light and Shade VII. Painting Materials Colours VIII. Monochrome Study IX. Textures in Monochrome X. Still Life in Colour XI. Silver and China in Colour XII. Hints on Arrangement Solecisms in Composition XIII. Painting from Life in Monochrome XIV. Colouring a Monochrome XV. Painting in Colour direct from Life Prepared and Direct Painting compared Part II I. Methods of the Masters II. Italian Schools III. The School of Titian IV. The Italian School continued V. The Flemish School VI. The Dutch School VII. The Dutch School continued VIII. The Spanish School IX. The French School X. The British School XI. The British School continued XII. On Copying XIII. Analysis of Composition XIV. A Few Words on the Study of Aesthetics Index
Part I Introductory I. A Method by which the Round Object can be Reduced to the Flat II. Construction of the Figure III. Construction of the Head IV. Characterisation V. The Arm and Hands Legs VI. Light and Shade VII. Painting Materials Colours VIII. Monochrome Study IX. Textures in Monochrome X. Still Life in Colour XI. Silver and China in Colour XII. Hints on Arrangement Solecisms in Composition XIII. Painting from Life in Monochrome XIV. Colouring a Monochrome XV. Painting in Colour direct from Life Prepared and Direct Painting compared Part II I. Methods of the Masters II. Italian Schools III. The School of Titian IV. The Italian School continued V. The Flemish School VI. The Dutch School VII. The Dutch School continued VIII. The Spanish School IX. The French School X. The British School XI. The British School continued XII. On Copying XIII. Analysis of Composition XIV. A Few Words on the Study of Aesthetics Index
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