The Preparatorâ s Handbook is an invaluable resource for emerging museum professionals or anyone working in galleries and collections with little-to-no previous preparatory experience or training. It explores, explains, and demonstrates object preparation and installation techniques.
The Preparatorâ s Handbook is an invaluable resource for emerging museum professionals or anyone working in galleries and collections with little-to-no previous preparatory experience or training. It explores, explains, and demonstrates object preparation and installation techniques.
Andrew Saluti is assistant professor and program coordinator for museum studies at Syracuse University. Before stepping into this academic role, Saluti was the chief curator of exhibitions, programs and education for the Special Collections Research Center at Syracuse University Libraries and the assistant director of the Syracuse University Art Galleries and Collections.
Inhaltsangabe
Table of Contents List of Figures Acknowledgements Preface Chapter 1: What is a Preparator? Chapter 2: Object Handling: A Philosophical Approach Chapter 3: Preparation in Action: Pack it, but don't touch it: A case study of the trope Meredith Weimer, Associate Collections Registrar, Portland Museum of Art Chapter 4: Prep Management Chapter 5: Preparation in Action: New Glass Now Warren Bunn II, Collections and Exhibitions Manager, The Corning Museum of Glass Chapter 6: Two-Dimensional Object Preparation Chapter 7: Preparation in Action: Mounting Scrolls for Exhibition Donia Conn, Assistant Professor of Practice, School of Library and Information Science, Simmons University Chapter 8: Three-Dimensional Object Preparation Chapter 9: Preparation in Action: Simple Fosshape Supports for Textiles Kirsten Schoonmaker, Textile Conservator CHAPTER 10: Preparation in Action: The Object Directs the Process: Creating Ethafoam Cradles for the Field Museum's Vertebrate Paleontological Collection Adrienne Stroup, Collections Assistant, The Field Museum Chapter 11: Installation Of Objects Chapter 12: Preparation in Action: The Preparator at the Stone Quarry Art Park Emily Zaengle, Executive Director, Stone Quarry Art Park Chapter 13: Practical Basics For Lighting, Audio, And Video Chapter 14: Preparator's Resources About the Author
Table of Contents List of Figures Acknowledgements Preface Chapter 1: What is a Preparator? Chapter 2: Object Handling: A Philosophical Approach Chapter 3: Preparation in Action: Pack it, but don't touch it: A case study of the trope Meredith Weimer, Associate Collections Registrar, Portland Museum of Art Chapter 4: Prep Management Chapter 5: Preparation in Action: New Glass Now Warren Bunn II, Collections and Exhibitions Manager, The Corning Museum of Glass Chapter 6: Two-Dimensional Object Preparation Chapter 7: Preparation in Action: Mounting Scrolls for Exhibition Donia Conn, Assistant Professor of Practice, School of Library and Information Science, Simmons University Chapter 8: Three-Dimensional Object Preparation Chapter 9: Preparation in Action: Simple Fosshape Supports for Textiles Kirsten Schoonmaker, Textile Conservator CHAPTER 10: Preparation in Action: The Object Directs the Process: Creating Ethafoam Cradles for the Field Museum's Vertebrate Paleontological Collection Adrienne Stroup, Collections Assistant, The Field Museum Chapter 11: Installation Of Objects Chapter 12: Preparation in Action: The Preparator at the Stone Quarry Art Park Emily Zaengle, Executive Director, Stone Quarry Art Park Chapter 13: Practical Basics For Lighting, Audio, And Video Chapter 14: Preparator's Resources About the Author
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